Tithonus Poem Questions and Answers & Summary

Poem 7 Tithonus Questions and Answers

Tithonus Poem Summary, Questions and Answers

Tithonus Poem Long Answer Questions

Question 1.
Attempt a critical appreciation of Tennyson’s Tithonus
Or
Question 2.
“Why should a man desire in any way / To vary from the kindly race of men” Discuss how the burden of age tortures Tithonus.
Or
Question 3.
How does the “cruel immortality” affect Tithonus.
Answer:
Published in 1860, Tithonus is one of a set of four works that Tennyson wrote shortly after the death of Arthur Henry Hallam in 1833. The death of Hallam however. shattered the young poet and he continues to search for the appropriate meaning of life. Tithonus facilitates ‘ the poet to realize that life does not mean to remain inactively alive but continue moving ahead like Ulysses.

In this sense, Tithonus symbolizes the futility of eternal life which the eponymous hero longs to renounce and be the part of the natural world where man “comes and tills the field and lies beneath”. To begin with, Tithonus laments the curse of his immortality to his lover Eos or Aurora, the goddess of dawn.

While Eos grows beautiful, renewing her beauty every morning, Tithonus is reduced to a “white hair’d shadow roaming like a dream” He thus, makes a pathetic plea to Eos to take back the gift of immortality and regrets his desire to “vary from the kindly race of men”. In other words, Tithonus realises that his demand to avert the fate of common mass is going against the ordain of nature which ensures nothing but endless sorrow.

Life however was once beautiful when Tithonus was young. During those days, he used to enjoy the beautiful leap of dawn, the charm of which is over now like the charm of enjoying endless kisses from someone other than Eos. Tithonus thus, begs Eos to release him from the east where she rises anew each morning. The sight of her cheeks turning red, her bright eyes overpowering the light of stars and her team of horses turning the twilight into bright crimson light of dawn is no more appealing to Tithonus.

He now longs to die and escape the torturous sight of Eos renewing her beauty every day. Tithonus finally realises that happy are those men that have the power to die. He thus, stands as a sharp contrast to Hallam since he is granted immortality without youth and Hallam was granted youth without immortality. Tithonus yarn echoes Faustus’s dangerous desire to crave more than what ‘heavenly power permits.’

Question 4.
Consider Tithonus as a dramatic monologue.
Answer:
As M. H. Abrams has it, dramatic monologue is a “type of lyric poem’ having the following features:

1. a single person, who is patently not the poet, utters the speech that makes up the whole of the poem in a specific situation at a critical moment.

2. This person addresses and interacts with one another or more other people, but we know of the auditor’s presence, and what they say and do, only from the clues in the discourse of the single speaker.

All these features of the dramatic monologue go on well with Tithonus, which explores the consequence of man’s desire to “vary from the kindly race of men”. Tithonus’ demand of immortality ensures nothing but endless sorrow as he grows old and never reaches the threshold of death. Tennyson however intends to establish that the meaning of life is not to remain inactively alive but continue moving ahead like Ulysses.

Tithonus laments the curse of his immortality to his lover Eos or Aurora, the goddess of dawn. While Eos grows beautiful, renewing her beauty every morning, Tithonus is reduced to a “white haired shadow roaming , like a dream”. He thus, makes a pathetic plea to Eos to take back the gift of immortality and regrets his desire to “vary from the kindly race of men”.

In other words, Tithonus realises that his demand to avert the fate of common mass is going against the ordain of nature which ensures nothing but endless sorrow. Life however was once beautiful when Tithonus was young. During those days, he used to enjoy the beautiful leap of dawn, the charm of which is over now like the charm of enjoying endless kisses from someone other than Eos. Tithonus thus, begs Eos to release him from the east where she rises anew each morning.

The sight of her cheeks turning red, her bright eyes overpowering the light of stars and her team of horses turning the twilight into bright crimson light of dawn is no more appealing to Tithonus. He now longs to die and escape the torturous sight of Eos renewing her beauty every day. Tithonus finally realises that happy are those men that have the power to die. His story echoes Faustus’s dangerous desire to crave more than what ‘heavenly power permits.’

Tithonus Poem Short Answer Questions

Question 1.
Describe in brief how Eos renews her beauty every morning.
Answer:
Eos in Greek mythology is presented as a rosy-fingered goddess of the dawn. She is the daughter of the Titans, Hyperion and Theia, the sister of the sun god Helios and the moon goddess Selene. Every morning she leaps up from the river Okeanos (Oceanus) and with her rays of light dissolves the night to hail a beautiful morn.

Tennyson however gives a succinct picture of how Eos renews her beauty which grieves the heart of Tithonus all because of being destined to “dwell in presence of immortal youth”. Tithonus observes how the tender light of dawn slowly illumes the earth as Eos begins to renew her beauty.

Her cheeks slowly turn red and her bright eyes overpower the light of the stars. Moreover, her team of horses awakes and converts the twilight into bright crimson light of dawn that spreads over the eastern sky. In a way, the picture that Tennyson represents in the poem is replete with sensuous images and establishes his aesthetic sense of beauty.

Question 2.
Who is Tithonus? How the grant of immortality affects him?
Answer:
In Greek mythology, Tithonus is the son of Laomedon, the king of Troy, and of Strymo, daughter of the river Scamander. He was loved by the goddess of dawn, Eos, who obtained him “the gift of immortality”, from the gods. But, Eos forgets to ask for eternal youth and Tithonus grows old and never reaches the threshold of death.

Throughout the poem, Tithonus bemoans for being immortal despite craving for it during his youth. He blames his beloved goddess for approving his immortality which seems like a mindless favour of a rich philanthropist who donates without considering the consequence.

Tithonus is thus, forced to “dwell in presence of immortal youth” of Eos which deeply troubles him. He whines that life was so beautiful before he met Eos. The company of some unidentified woman was so enjoyable with caresses and kisses from her.

Hence, he begs Eos to release him from the east where she rises anew each morning. After all men should not desire to “vary from the kindly race of men”. Men are destined to tilt the “field and lie beneath”. A deviation from the law of nature will ensure nothing better than “cruel im¬mortality” which Tithonus realises of late.

Tithonus Poem Multiple Choice Questions (MCQs)

Question 1.
Tithonus is the son of ………….
a. Zeus
b. Priam
c. Laomedon
d. Hercules
Answer:
c. Laomedon

Question 2.
Eos is the goddess of ………….
a. Twilight
b. Night
c. Noon
d. Dawn
Answer:
d. Dawn

Question 3.
The other name of Eos is. ………….
a. Aphrodite
b. Aurora
c. Venus
d. Diana
Answer:
b. Aurora

Question 4.
Eos renews her beauty ………….
a. at night
b. at noon
c. at dawn
d. at twilight
Answer:
c. at dawn

Question 5.
Eos gifted Tithonus …………
a. immortal youth
b. immortal age
c. healthy life
d. infected life
Answer:
b. immortal age

Question 6.
The chariot of Eos is driven by ……………….
a. elephants
b. four horses
c. leopard
d. dove
Answer:
b. four horses

Question 7.
The tears in Eos eyes reminds Tithonus of the age-old maxim which states that …………..
a. God can recall their gift
b. god cannot recall their gift
c. god has no power to grant anything to humans
d. god recalls their gifts if they are misused by humans
Answer:
b. god cannot recall their gift

Question 8.
Tithonus requests Eos to …………..
a. take back the gift of immortality
b. grant him immortal youth
c. leave him alone
d. to allow him to enjoy his old age
Answer:
a. take back the gift of immortality

Question 9.
Tithonus’ youth was full of …………..
a. misery
b. hurdles
c. adventure
d. sensuous delight
Answer:
d. sensuous delight

Question 10.
Tithonus lives in the company of Eos in the……………
a. north
b. south
c. west
d. east
Answer:
d. east

Question 11.
Tithonus finally realises that happy are those men who have…………..
a. money
b. immortal youth
c. the power to die
d. the blessings of god to remain immortal
Answer:
c. the power to die

Question 12.
Tithonus is written in the form of …………
a. monologue
b. dramatic monologue
c. sonnet
d. internal monologue
Answer:
b. dramatic monologue

Tithonus Poem Summary

Tithonus Poem Introduction

Tithonus is one of a set of four works that Tennyson wrote shortly after the death of Arthur Henry Hallam in 1833. The other three poems being Tires/as; Morte d’ Arthur, and Ulysses. The poem was published in 1860. Like Ulysses, the poem is written in the form of a dramatic monologue. The speaker here is Tithonus, a mythical figure, who laments the curse of his immortality to his lover Eos or Aurora, the goddess of dawn.

Tithonus Poem Summary

Tithonus begins with the lament of the eponymous hero for the immortality granted to him by Eos, the goddess, of dawn. Though Tithonus’ wish was granted by his goddess-beloved, yet he remains sad realising the dreadful. consequence of such favour. While Eos grows beautiful, renewing her beauty every morning, Tithonus is reduced to a “white hair’d shadow roaming like a dream”.

He thus, makes a pathetic plea to Eos to take back the gift of immortality as men shouldn’t “desire in any way / To vary from the kindly race of men, / Or pass beyond the goal of ordinance.” In other words, Tithonus realises that; his demand to avert the fate of common mass is going against the ordain of nature which ensures nothing but; endless sorrow.

The dark world brightens up as Eos renews her beauty. Her cheeks slowly turn red, her bright eyes overpower the light of the stars and her team of horses awakes and converts the twilight into bright crimson light of dawn that spreads over the eastern sky. Tithonus whines, feeling miserable under the burden of his age.

The silence of Eos terrifies him as he is reminded of the age old maxim which states that even God themselves have no power to recall their gifts. But, life however was once beautiful when he was young. During those days, Tithonus used to enjoy the beautiful leap of dawn, the charm of which is over now like the charm of enjoying endless kisses from someone other than Eos.

He remembers the silhouetting figure of this mysterious woman, the curls in her hair the long session of love with faces strewn with passionate kisses while lying down together. The lady would whisper to him “wild and sweet” melodies, like the music of Apollo’s lyre, which accompanied the construction of Iion.

Tithonus begs Eos to release him from the east where she rises anew each morning. His awful form sharply contrasts with Eos’ beauty which saddens his heart. He now longs to die and forget the painful burdens of old age. Even he longs to escape the sight of Eos riding on the chariot of silver, renewing her beauty every morning. Tithonus finally realises that happy are those men that have the power to die. The story of Tithonus thus, echoes Faustus’s dangerous desire to crave more than what ‘heavenly power permits.’

Tithonus Poem Paraphrase

Lines 1 to 10 :

The poem opens with Tithonus monologusing the curse of his immortality. He draws a contrasting comparison of the natural phenomenon of decay in every objects of world with his immortality. The woods in the forest decay, in the course of time, man works on the earth, dies and is buried underground. But, Tithonus mourns to Eos, the goddess of the dawn that he grows old slowly in her arms and is reduced to a mere shadow.

Lines 11 to 31:

Once Tithonus was a handsome young man. Eos fell in love with him and sanctioned his demand of eternal life. Tithonus bemoans that his desire for immortal life was fulfilled like a wealthy philanthropist who donates without considering the consequence. While other gods were against his whim, Eos approves of his desire, without realising the consequence her lover will face as he grows old.

Tithonus, is now doomed with the burden of his age and forced to live under Eos’ charismatic presence. This saddens his heart and he appeals to his divine ladylove to take back the gift of immortality. Why should a man demand something unnatural only to avert the fate of common mass? Death is what nature has ordained for us. Tithonus’s demand for perpetual life is going against nature.

Lines 32 to 42 :

The tender light of dawn slowly illumes the earth where Tithonus was born. The sight of Eos overwhelms him as she renews her beauty her cheeks slowly turns red and her bright eyes overpower the light of the stars. Moreover, her team of horses awakes and converts the twilight into bright crimson light of dawn that spreads over the eastern sky.

Lines 43 to 49 :

Tithonus whines that while Eos remains perpetually beautiful, he grows ugly day by day. The curse of immortality plagues him down. Eos’ silence, her tears in her eyes terrifies him. Tithonus is reminded of the age old maxim which states that even God themselves have no power to recall their gifts.

Lines 50 to 63:

Life was once so various and new. Tithonus once enjoyed the beautiful leap of dawn during his youth. The charm is over now like the charm of enjoying endless kisses from someone other than Eos. He remembers the silhouetting figure of this mysterious woman, the curls in her hair the long session of love with faces strewn with passionate kisses while lying down together. The lady would whisper to him “wild and sweet” melodies, like the music of Apollo’s lyre, which accompanied the construction of Iion.

Lines 64 to 76 :

Tithonus begs Eos to release him from the east where she rises anew each morning. His awful form sharply contrasts with Eos’ beauty which saddens his heart. He now longs to die and forget the painful burdens of old age. Even he longs to escape the sight of Eos riding on her chariot of silver, renewing her beauty every morning. Tithonus finally realises that happy are those men that have the power to die.

Tithonus Poem Annotations with Comments

Tithonus: In Greek mythology, Tithonus is the son of Laomedon, the king of Troy, and of Strymo, daughter of the river Sca mander. He was loved by the goddess of dawn, Eos, who “obtained the gift of immortality”, from the gods for Tithonus.

But, Eos forgets to ask for eternal youth and Tithonus grows old and never reaches the threshold of death. The burden of old age. was ultimately released when Tithonus was transformed into a grasshopper after he pleads with his goddess lover to grant him death. Tithonus’s story echoes Faustus’s dangerous desire to crave more than what heavenly power permits.

Eos: The goddess of dawn, Eos is also called Aurora by the Romans. She loved Tithonus and “obtained the gift of immortality from the gods but forgets to ask for eternal youth for Tithonus”

Lines 1 to 10 :

The woods decay … fall : the idea is that every thing in this world is subject to mortality. Nothing is frozen in time.
vapours : clouds and mist
butrthen : burden of moisture.
lies beneath : buried
After many …. swan : after enjoying a long life, the swan finally dies
Cruel immortality : as the curse of immortality causes lots of trouble to Tithonus
thine arm quite limit of the : refer to Eos or Aurora the goddess of dawn
world : refers to the eastern horizon, the home of Eos.
a white-hair’d shadowed : refers to the immortal Tithonus, who has grown old enough to die
a white hair’d dream : a pathetic description of the burden of age.
the ever silent space ….east : refers to the tranqul Eastern region. The time is dawn.
far-folded mists: mists in the far off the eastern sky
Gleaming halls of morn: bright eastern sky at the approaching of day.

Comment:

A white-hair’d ….. dream: a pathetic description of the burden of age. Tithonus has grown too old to die. Yet he is immortal due to Eos’ favour. Hence, he has grown unsubstantial like a dream. The figure of speech employed here is simile.

Lines 11 to 26 :

Grey shadow : refers to Tithonus. Grey is the symbol of death.
thy : refers to Eos
thy choice : Eos choosing Tithonus as her lover
thy chosen : chosen as a lover
mine : refers to Tithonus
mine asking : at Tithon us’s request
like wealthy …. give : like a rich philanthropist having enough money to give charity without thinking twice.
strong hours : refers to the goddess accompanying Eos
indignant : angry
worked their wills : had way with Tithonus
Beat me down …. me : wearied Tithonus and destroyed his glamorous
Could not end me : maim’d:
Immortal youth : youth of Eos; to dwell …
immortal youth : could not put an end to his (Tithonus’) life disfigured Tithonus refers to the immortal Tithonus moans for living in presence of Eos’ immortal youth, when he himself has grown ugly due to the burden of age. His physical ugliness is contrasted with the eternal beauty of Eos
immortal age : it means that Tithonus is subject to immortality
and all I was in ashes : now all his erstwhile beauty is lost forever and what remains is the ashes of his youth;
make amends : compensate Tithonus for the loss of his charismatic beauty of youth
close over us : near us
silver star : refers to Venus, the morning star
thy guide : Venus announces the arrival of dawn
shine in those with tears : Tithonus interprets the twinkling light of the morning star as the eyes of Eos brimmed with tears, after hearing his pathetic condition.

Lines 27 to 31:

To her me : Tithonus here addresses Eos
let me go : let me die
to vary : to be different from
kindly race : of the same kind
goal of ordinance : limit of human existence where all should
pause : where all should stop when reached to the destined limit as is most meet
for us : as is allowed to us. We should not desire to live beyond the limit destined for us.

Lines 32 to 42:

Fans that cloud apart : blows away the cloud in the sky
dark world : refers to the world where Tithonus is born a mortal
Steal from : spreads from
thy cheek : refers to the cheeks of Eos which was turning red. It is conceived that Eos was renewing her beauty at early dawn. And the whole process of her renewal of immortal beauty is watched by Tithonus
thy sweet…. the stars : Eos’ scintillating eyes growing bright enough to overpower the light of the stars
wild team : refers to the team of horses that drew the chariot of Eos.
And shake … fire : the team of horses awakes and converts the twilight into bright crimson light of dawn that spreads over the eastern sky.

Lines 43 to 49:

Ever : each day break
before thine answer given : before giving your (Eos) answer
deparest : he (Tithonus) leaves before she could reply to him
scare : frighten seeing her tearful eyes, Tithonus fears that Eos would not be able to recall her gift.
Saying : common maxim And make me
gifts : seeing her tearful eyes, Tithonus recalls the age-old maxim that the God themselves have no power to recall their gifts.

Lines 50 to 63:

if I be that watched : Tithonus is now so old that he cannot believe that he is the same man once full of youth
the lucid outline …….. thee : refers to the shadowy figure of Eos which was becoming clear
the dim …….. rings : refers to the dark hair of Eos (the eastern clouds) that was slowly becoming brighter
portal : eastern sky
blamier : softer
whispering I … and sweet : whispering to Tithonus some enigmatic words;
Apollo sing : refers to the lute of
Apollo (the Classical mythological figure).
Illlion : Troy.

Lines 64 to 76:

Hold me not : do not force me (Tithonus) to live
How can my … thine : how could Tithonus be endured by Eos, when he has grown too old and Eos still sustaining her eternal beauty
coldly thy … me : Tithonus now feels no longer excited seeing the eternal beauty of Eos
cold : he (Tithonus) remains cold to her beauty
the glimmering threshold : the eastern sky brightening with the slow approach of daylight
steam : vapour
barrows : graves; release me …. ground : make me free out of your gift and allow me to die in the earth like the mortals there; Thou
will … morn by morn : every morning you (Eos) will come and renew your beauty
Court : the court (eastern sky) of Eos.
silver wheel : the chariot of Aurora which is Silver.

Rhapsody: A Collection of ISC Poems Workbook Answers

Telephone Conversation Poem Questions and Answers & Summary

Poem 6 Telephone Conversation Questions and Answers

Telephone Conversation Poem Summary, Questions and Answers

Telephone Conversation Poem Long Answer Questions

Question 1.
Attempt a critical Appreciation of Wole Soyinka’s Telephone Conversation.
Or
Question 2.
Soyinka’s Telephone Conversation is a strong protest against racism. Discuss.
Or
Question 3.
In What way does Soyinka’s Telephone Conversation urge us to think about racial prejudice?
Answer:
Nigerian poet Wole Soyinka presents the absurdity of racism in his poem, Telephone Conversation. The speaker of the poem, a dark West African man searching for a new apartment, tells the story of a telephone call he made to a potential landlady.

Instead of discussing price, location, facilities, and other information significant to the apartment, the landlady is more interested in the speaker’s skin color. This shows that despite being a well-bred woman, the landlady is after all shallowly racist.

Right from the very outset of the poem, the speaker shows how pathetically he is the victim of racism. The landlady asks him straight “HOW DARK” he is, after knowing that he an African. The speaker is shown to be genuinely modest. Instead of informing that he is an African he “warned” her against his skin colour. This however ascertains that the speaker actually feels genuinely sorry for his skin colour. To the modern thinkers, it seems almost ridiculous that anyone should be so submissive when he has committed no crime.

But then despite being unexpectedly modest, the speaker feels much annoyed when he is asked “HOW DARK” he is. His anger is subtly expressed through the repetition of the word “red” before booth, pillar box and double-tired. Yet he has no other option than to endure the humiliation since the whites are destined to take upper hand over blacks.

The landlady does exactly the same and in doing so all her sophisticated appearance seems to contrast terribly with her real-self. In other words, despite her “good-breeding,” and “Lipstick-coated” voice, she is after ail too unsophisticated to ask a gentle-man whether he is “LIGHT / OR VERY DARK?”

On contrary, the gentleman who feels genuinely sorry for his skin colour appears more refined. Citing his pass-port, he says that he his body colour is “West African sepia”. The landlady still demands a quantifiable expres-sion of his darkness. The tenant instead of satisfying her curiosity, chooses to detail the different colours of the different parts of his body. He says that though he is dark facially, the palm of his hand and the soles of his feet are lighter than the colour of his face.

The landlady expecting only yes or no regarding whether he is black or white, finally hangs up on him. The speaker, still playing his ignorance of what the lady actually wants to know from him, asks her if she is willing to meet him in person to judge his skin color for herself: ” ‘Madam/ I pleaded, wouldn’t you rather / See for yourself?” says the helpless man.

Question 4.
How far do you agree with the view that Telephone Conversation is an ironical conversation between the lodger and his landlady.
Ans.
Wole Soyinka’s “Telephone Conversation” is packed with subtleties. The puns, irony, and sarcasm employed in the poem, help him to ridicule an overtly racist woman. The conversation we observe is ironical in the sense that instead of discussing price, location, facilities, and other information significant to the apartment, the land-lady is more interested in the speaker’s skin color. This shows that despite being a well-bred woman, the land-lady is after all shallowly racist.

From the very outset of the poem, the speaker appears as a pathetic victim of racism. The landlady asks him straight, “HOW DARK” he is after knowing that he is an African. This is ironical in the sense that after all the colour of a man’s skin does matter while he is to rent an apartment. From thence onward, the landlady is perculiarly interested in discussing her lodger’s colour of skin. Moreover, it is also ironical that the speaker feels sorry for his skin colour.

He apologetically says that he is an African. The word “warned” which means cautioned shows how the humbly speaker actually attempts to warn his would-be landlady against his skin colour as if to allow him to rent her apartment is a crime, since he is an African. But despite being unexpectedly modest, the speaker feels much annoyed when he is asked unabashedly “HOW DARK” he is.

His anger is subtly expressed through the repetition of the word “red” before booth, pillar box and double-tired. Yet he has no other option than to endure the humiliation since the whites are destined to take upper hand over blacks.

The landlady does exactly the same and in doing so all her sophisticated appearance seems to ironically contrast her terribly real- self. In other words, despite her “good-breeding/? and “Lipstick-coated” voice, she is after all too rude to ask a gentleman whether he is “LIGHT / OR VERY DARK?”

On contrary, the tenant appears more refined. Words like “pipped,” “rancid,” and “spectroscopic” are not words that an unrefined man would have in his vocabulary. The gentleman’s intelligence is further displayed through his use of sarcasm and wit in response to the landlady’s questions. For example, when asked if he is “DARK / OR VERY LIGHT”, the gentleman says, citing his passport that exactly his colour is “West African sepia”.

The land-lady still demands a quantifiable expression of his darkness. The tenant instead of satisfying her curiosity, chooses to detail the different colours of the different parts of his body. He says that though he is dark facially, the palm of his hand and the soles of his feet are lighter than the colour of his face.

The landlady expecting only yes or ho regarding whether he is black or white, finally hangs up on him. We feel extremely amused when the speaker further asks the lady if she is willing to meet him in person to judge his skin color for herself: “‘Madam,’ I pleaded, wouldn’t you rather / See for yourself?”

Telephone Conversation Poem Short Answer Questions

Question 1.
How does the tenant speaker in the poem describe the colour of his skin to the landlady?
Answer:
The tenant speaker of the poem, Telephone; Conversation is of West African origin. He feels deeply ashamed because of his dark skin. The way he talks with the landlady amply suggests his embarrassment particularly when he warns the lady against his skin colour. The word “warned” which means cautioned lends an impression of the speaker being roosted by his own ‘ complex. It seems as if to allow him to rent an apartment

is a crime since he is an African. Such irrational complex goads him to remain calm even when the landlady ’ annoys him asking “HOW DARK” he is. The speaker continues describing that his body colour is “West African sepia”.

Moreover, he goes further into detailing that he is dark facially, the palm of his hand and the soles of his feet are lighter than the colour of his face. Towards the end of the poem he shows his willingness to appear up before the landlady so that the lady can judge his skin colour: “Madam/ I pleaded, wouldn’t you rather / See for yourself?”

Question 2.
Would you consider the landlady as a racist? Give reason for your answers.
Answer:
The landlady is presented as an immodest woman who simply harasses her would be tenant once she learns that the man is of West African origin. Instead of discussing price, location, facilities, and other information significant to the apartment, the landlady is more interested in the speaker’s skin colour. This is evident when she demands to know “HOW DARK” is her tenant.

The speaker’s silence goads her to reshape her question into a bit amiable tone. She politely asks the tenant if he is dark “OR VERY LIGHT?” The answer doesn’t satisfy her and she demands a quantifiable expression of his darkness. Finally, she hangs up failing to get a specific answer from the tenant. After all, she expected only yes or no regarding whether he is black or white. But, the tenant’s riddling answer dissatisfies her. The landlady thus appears to be shallowly racist, despite being a well-bred woman.

Telephone Conversation Poem Multiple Choice Questions (MCQs)

Question 1.
The tenant in the poem hails from …………….
a. India
b. West Indies
c. West Africa
d. Germany
Answer:
c. West Africa

Question 2.
The tenant feels uncomfortable because of his ……..
a. poor financial condition
b. skin colour
c. deformity
d. criminal record
Answer:
b. skin colour

Question 3.
Why does the speaker warn the landlady against the colour of his skin?
a. Because he knows that he the landlady might reject him as her tenant once she finds him black
b. Because neighbours might object staying with a man of black skin colour
c. Because the man doesn’t want to stay with the whites and thus, wants to know if the lady is black
d. Because the man was rejected elsewhere and thus wants to be sure whether the landlady would allow him to rent her apartment
Answer:
a. Because he knows that he the landlady might reject him as her tenant once she finds him black

Question 4.
The colour mentioned in the passport of the speaker is ………
a. while
b. brown
c. West African sepia
d. red
Answer:
c. West African sepia

Question 5.
What do the expressions “Lipstick coated, long gold-rolled / Cigarette-holder piped” tell us about the landlady?
a. that she is a fashion-able woman
b. that she belongs to higher echelons of society
c. that she is a white woman
d. that she has a good breeding
Answer:
d. that she has a good breeding

Question 6.
Which question of the landlady deeply annoys the speaker?
a. How tall he is?
b. How wealthy he is?
c. How dark he is?
d. How educated he is?
Answer:
c. How dark he is?

Question 7.
What colour does the speaker see around when the landlady annoys him?
a. white
b. red
c. blue
d. orange
Answer:
b. red

Question 8.
What does the landlady do finally with the speaker?
a. she invites him to her apartment
b. she agrees renting the apartment to the speaker
c. she hangs on the telephone
d. she asks the speaker not to meet her
Answer:
c. she hangs on the telephone

Question 9.
What was the final proposal of the speaker?
a. that he will not rent the apartment
b. that he is willing to come and meet her
c. that he would send her his photograph
d. that he will not come and meet her
Answer:
b. that he is willing to come and meet her

Question 10.
The speaker asks the landlady to visit him to…………………
a. discuss the rent
b. show the apartment
c. see how dark he is
d. to hand over the key of the apartment.
Answer:
c. see how dark he is

Telephone Conversation Poem Summary

Telephone Conversation Poem Introduction

Nigerian poet Wole Soyinka presents the absurdity of racism his poem, Telephone Conversation. The speaker of the poem, a dark West African man searching for a new apartment, tells the story of a telephone call he made to a potential landlady. Instead of discussing price, occation, facilities, and other information significant to the apartment, the landlady is more interested in the speaker’s skin color. This shows that despite being a well-bred woman, the land lady is after all shallowly racist.

Telephone Conversation Poem Summary

The telephonic conversation between the tenant and the landlady begins with the tenant knowing little about the apartment he proposes to rent. Only he gets to know that the rental charge of the apartment is affordable and is without the landlady’s interference since she stays away from the appartment. After this minimal information, the tenant begins his “self-confession”

that he is an African and his skin colour is black. The landlady is shocked and sighs over phone. After she recovers from her initial shock her sophisticated voice once again resounds in the speaker of the public telephone, booth. Curious to know how dark is her would be lodger, the landlady shamelessly asks him straight.

The tenant is deeply annoyed. He sees red everywhere “Red booth. Red pillar box. Red double-tiered Omnibus.” This however indicates his anger which made him almost tongue tied. The landlady perhaps uncomfortable with the sudden silence decides to rephrase her question. She politely asks the tenant if he is dark “OR VERY LIGHT?” The anger of the tenants continues growing from more to more. Even at this time, he fails to reply her back At last the tenant replies the shallowly racist land-lady.

Citing his passport, he says that he his body colour is “West African sepia”. The landlady still demands a quantifiable expression of his darkness. The tenant instead of satisfying her curiosity, choose to detail the different colours of the different parts of his body. He says that though he is dark facially, the palm of his hand and the soles of his feet are lighter than the colour of his face.

The landlady expecting only yes or no regarding whether he is black or white, finally hangs up on him. The speaker, still playing his ignorance of what the lady actually wants to know from him, asks her if she is willing to meet him in person to judge his skin color for herself: ” ‘Madam/ I pleaded, wouldn’t you rather / See for yourself?” says the helpless man.

Telephone Conversation Poem Paraphrase

Lines 1 to 9 :

The telephone conversation begins with the tenant knowing little about the apartment he is about to rent. Only he gets to know that the rental charge of the apartment is affordable and is without the landlady’s interference. After this minimal information, the tenant begins his self-confession that he is an African and his skin colour is black. Within moment, the landlady is bowled over. When she recovers from her initial shock her sophisticated voice once again reverberates in the speaker of the public telephone booth.

Lines 10 to 14:

The landlady unabashedly asks the tenant how dark he is. The tenant however is confirmed about hearing her question, asking him straight how dark he is. Instantly, the man is red with anger. This is subtly expressed through the repetition of the word “red” before booth, pillar box and double-tired. Moreover, the speaker’s consciousness of the world around him is also evident from speculation of the red booth, red pillar box and his awareness about the foul smell hovering inside the booth.

Lines 15 to 21 :

The landlady however is considerate in rephrasing her question at last. Finding her tenant taking time to reply how dark he is, she asks him politely if he is dark and if so how does he looks like. The speaker says that the negotiation of the landlady is too judgmental, no matter how seemingly she appears to be pleasant.

Lines 22 to 35 :

Finally the tenant replies her, overcoming his anger. Citing his passport, he says that he his body colour is “West African sepia”; i.e. reddish-brown. Yet the landlady is unsatisfied. She wants a quantifiable expression of his darkness. But the man instead of satisfying her curiosity, choose to detail the different colours of the various parts of his body. He says that though facially he is dark, the palm of his hand and the soles of his feet are lighter than the colour of his face.

The landlady expecting only yes or no regarding whether he is black or white, finally hangs up his face. The landlady expecting only yes or no regarding whether he is black or white, finally hangs up on him. The speaker, still playing his ignorance of what the lady actually wants to know from him, asks her if she is willing to meet him in person to judge his skin colour for herself.

Telephone Conversation Poem Annotations with Comments

Lines 1 to 9 :

price : refers to the rental charge
location : location of the apartment
indifferent : it hardly matters
swore : promised she lived
premises : without her interference
Nothing remained : nothing more to know
self-confession : revealing about own self
silence : the woman was dumb founded hearing that her would be tenant is an African
transmission : the word is significant since the poem is about telephonic conversation
pressurized : hassled
voice : refers to the voice of the land lady

Comments:

Nothing remained / But self-confession: Having known a bit about the apartment, the speaker begins his “self-confession” about his skin colour. It is ironic that this is called a self-confession since the speaker has nothing that he should have to confess because of doing no wrong. He warns the landlady that he is African, instead of just informing her.

I warned: Note the words “warned”. By making the speaker actually seem sorry for his skin colour, Soyinka shows how ridiculous it really is for someone to apologize for his race. To the modern thinkers, it seems almost ridiculous.

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Strange Meeting Poem Summary, Questions and Answers

Strange Meeting Poem Long Answer Questions

Question 1.
Write a critical appreciation of Strange Meeting.
Or
Question 2.
“The Poetry is in the pity Show how Owen has expressed the “pity of war” in his poem Strange Meeting.
Answer:
Strange Meeting is the grim account of Owen’s terrible experience in the First World War. Published in 1920 in a volume entitled Poems, two years after Owen’s death in 1918, the poem brings together two young, former, enemy-soldiers a British and a German one who meet, after they have died on the battle field. The German soldier however speaks at length of his earnest desire to live more and unveils the tragic futility of war.

The poem opens with the soldier-poet’s illusion that he has escaped out of the battlefield “down to some profound dull tunnel”, where in the midst of the corpse of warriors, one suddenly leaps up as he is “probed” by the soldier-poet. He continues staring at the soldier-poet with pitiful eyes and lifts up his hands as if to bless the soldier-poet.

By his grim smile on face, the soldier-poet realises that he has after all reached hell where silence reigns everywhere since the sound of battle field is no more audible. The soldier-poet observes the face of the dead soldier disfigured with fear and pains. He consoles the dead soldier saying that there is nothing to mourn for in hell.

The dead soldier begins his monologue bemoaning his early death. He says that had he survived more, he might have enjoyed life, chasing things that are beautiful. Such things are more sublime and subtler than the beautiful eyes and braided hairs of women and makes fun of time as it steadily passes by. What grieves his heart is that his life is cut short and hell offers no joy of aesthetic pursuit.

One can only enjoy eternal sleep in hell. Hence, the dead soldier laments that the truth of war now remains untold. The truth being massive death toll that war claims. Men will now continue fighting, either satisfied or dissatisfied with the results of the war. The dead soldier had both courage and wisdom to counsel the warriors against the horrors of war. He could have given up his life to heal the world of its evils but, would not have lost his precious life in foolish warfare.

Towards the end of the poem, the dead soldier reveals that he was the enemy who was killed by the soldier poet on the other day. He recognizes his slayer by the frown in his eyes. Yet, he addresses the British soldier his “friend” since after death what remains of an individual is only the human identity. In other words, we lose all other identities that separate us from others.

Owen here must be suggesting the barrier of narrow political boundary which the both German and the British soldier overcome after death. Hence, the enemy solider who ‘jabbed and killed’ the German soldier, can be safely called a ‘friend’.

Question 3.
Describe with close reference to the poem Strange Meeting the lament of the German solider
Answer:
The German soldier leaps up from among the heap of corpses, imagined to be dumped in hell. He then painfully lifts up his hands as if to bless the soldier poet though being killed by him. As the soldier poet counsels him not to mourn in hell, the German soldier continues speaking at length about the perilous effect of war on mankind. He says that he feels sad all because of his early death.

Had he survived more, he might have enjoyed life, chasing things that are beautiful and more sublime than the ephemeral beauty of women’s eyes and their braided locks of hair. Owen however lends a human touch as he explores the aesthetic sense of beauty in the German soldier. This however implies that soldiers are not without human feelings which Owen suggests in many of his poems.

However the German soldier also bemoans that if he lyre-have, at least he could have revealed the truth of war which nCVy remains untold. The truth being massive death toll that war claims. Men will now continue fighting, either satisfied or dissatisfied with restricts-of the-war The German soldier had both courage and wisdom to counsel the warriors against the horrors of war. He could have given up his life to heal the world of its evils but, would not have lost his precious life in foolish warfare.

As he is now helplessly inactive in hell, he welcomes the soldier poet as his “friend”. He reveals the soldier-poet that he was the enemy who was killed by the soldier-poet on the other day. He has recognized his slayer by the frown in his eyes. Yet, he addresses the British soldier his “friend” since after death what remains of an individual is only the human identity. In other words, we lose all other identities that separate us from others.

Owen here must be suggesting the barrier of narrow political boundary which the both German and the British soldier overcome after death. Hence, the enemy solider who ‘jabbed and killed the German soldier, can be safely called a ‘friend’. The German soldier invites him to sleep together as they are far removed from every animosity that humans promote against each other.

Strange Meeting Poem Short Answer Questions

Question 1.
What impression of the British soldier do you form based on your reading the poem.
Answer:
The British soldier is the first speaker of the poem. He bc9ino me poem-MTcr. This fancy of entering into a deep, dark tunnel where dead soldiers are huddled together.

As he pokes them, one of the dead soldiers suddenly leaps up and continues staring at the British soldier with pitiful eyes. The dead solider is a German warrior who painfully lifts up his hands as if to bless the British soldier.

By his grim smile, the British soldier realises that he is in hell. Silence reigns everywhere around since the sound of the battlefield is no more audible. The British soldier observes that the face of the German soldier is disfigured with fear and pains. He consoles the German soldier saying that there is nothing to mourn for in hell.

The German soldier, who is the second speaker of the poem, recognises the British soldier and welcomes him as his friend. He says that he was once the enemy of the British soldier and now his friend since after death what remains of an individual is only the human identity.

Hence, the British soldier who ‘jabbed and killed’ the German soldier in the battlefield is called a friend and both of them agrees sleeping eternally together as they are removed from every animosity that humans promote against each other.

Question 2.
What picture of hell is presented by Owen in his poem Strange Meeting.
Answer:
Hell isn’t described exhaustively like Milton in his Paradise Lost or Dante in his Inferno. Owen just lends a succinct picture of hell once the British soldier escapes out of the

Strange Meeting Poem Multiple Choice Questions (MCQs)

Question 1.
Who are the speakers in the poem Strange Meeting?
a. French and German soldiers
b. British and French soldiers
c. Indian and British soldiers
d. German and British soldiers
Answer:
d. German and British soldiers

Question 2.
Why is the meeting called strange?
a. Because it was not pre-planned
b. Because the meeting occurred in hell
c. Because the meeting occurred in heaven
d. Because the meeting occurred in dream
Answer:
b. Because the meeting occurred in hell

Question 3.
What did the British soldier say to the German soldier the moment he meets him?
a. He said that he killed the dead soldier last day
b. He said that he was surprised to see him in hell
c. He said that there is nothing to mourn for in hell
d. He said nothing
Answer:
c. He said that there is nothing to mourn for in hell

Question 4.
Why does the German soldier mourn in hell?
a. Because he couldn’t reach heaven
b. Because of his untimely death
c. Because he couldn’t kill the soldier poet before dying
d. Because hell is so unpleasant
Answer:
b. Because of his untimely death

Question 5.
What is the pity of war?
a. That war is an essential part of human civilization
b. That war kills young lives
c. That war is encouraged by politicians
d. That war encourages hatred among nations
Answer:
b. That war kills young lives

Question 6.
What did the German soldier want to tell mankind about war?
a. That war is necessary for ensuring peace
b. That there is no heroism associated with war
c. That war must be promoted for better future
d. That one must give up his life in war
Answer:
b. That there is no heroism associated with war

Question 7.
Why does the German soldier addresses the British soldier as his friend?
a. Because the British soldier helped him to reach hell
b. Because the British soldier saved his life
c. Because the British soldier woke him up in hell
d. Because both of them are dead and they have lost their identity of two different nations.
Answer:
d. Because both of them are dead and they have lost their identity of two different nations.

Question 8.
What does the German soldier ask the British soldier to do?
a. To go away from hell
b. To remain in hell
c. To sleep forever with him
d. To rejoice in hell
Answer:
c. To sleep forever with him

Question 9.
What is kind of poem is Owen’s Strange Meeting?
a. Heroic
b. Poem of friendship
c. Anti-war
d. Poem of love
Answer:
c. Anti-war

Strange Meeting Poem Summary

Strange Meeting Poem Introduction

Strange Meeting is an anti-war poem which records Owen’s grim experience of the First World War. The poem was written during the course of the World War I and was published in 1920, in a volume entitled Poems, two years after Owen’s death in 1918. The poem brings together two young enemy-soldiers – a British and a German who meet, after they have died on the battlefield. The German soldier speaks at length, his earnest desire to live and unveils the tragic futility of war.

Strange Meeting Poem Summary

The soldier-poet imagines that he has escaped from the battlefield into a deep, dark tunnel where dead soldiers are huddled together. As he pokes them, one of the dead soldiers leaps up and continues staring at the soldier-poet with pitiful eyes. He then painfully lifts up his hands as if to bless the soldier poet and by his grim smile, the soldier poet realises that he is in hell.

Silence reigns everywhere around since the sound of battlefield is no more audible. The soldier-poet observes the face of the dead soldier disfigured with fear and pains. He consoles the dead soldier saying that there is nothing to mourn for in hell.

The dead soldier bemoans for his early death. He says that had he survived more, he might have enjoyed life, chasing things that are beautiful. Such things are more sublime and subtler than the beautiful eyes and braided hairs of women and makes fun of time as it steadily passes by. What grieves his heart is that his life is cut short and hell offers no joy of aesthetic pursuit.

One can only enjoy eternal sleep in hell. Hence, the dead soldier bemoans that if he were alive, at least he could have revealed the truth of war which now remains untold. The truth being massive death toll that war claims. Men will now continue fighting, either satisfied or dissatisfied with the results of the war.The dead soldier had both courage and wisdom to counsel the warriors against the horrors of war. He could have given up his life to heal the world of its evils but, would not have lost his precious life in foolish warfare.

The dead soldier now reveals the soldier-poet that he was the enemy who was killed by the soldier poet on the other day. He has recognized his slayer by the frown in his eyes. Since he is killed, he now wants profound and undisturbed sleep. He also invites the soldier-poet to sleep with him as they are no more the enemy of each other.

Strange Meeting Poem Paraphrase

Lines 1 to 14:

The soldier-poet imagines that he has escaped from the battlefield into a deep, dark tunnel where dead soldiers are huddled together. As he pokes them, one of the dead soldiers suddenly leaps up and continues staring at the soldier-poet with-pitiful eyes.

He then lifts up his hands as if to bless the soldier poet and by his grim smile, the soldier poet realises that he is in hell. He notices that the face of the dead soldier is disfigured with fear and pains. He consoles the dead soldier saying that there is nothing to mourn for in hell.

Lines 15 to 39:

The dead soldier pow mourns for his early death. He says that had he survived more, he might have enjoyed life. Even he too had the desire for the beautiful things of life which was beyond physical something more sublime and subtler than the beautiful eyes and braided hairs of women. And what grieves his heart is that his life is cut short and hell offers no joy of aesthetic pursuit.

One can only enjoy eternal sleep in hell. Hence, the dead soldier bemoans that if he were alive, at least he could have revealed the truth of war which now remains untold. The truth being massive death toll that war claims.

Men will now continue fighting, either satisfied or dissatisfied with the results of the war.The dead soldier had both courage and wisdom to counsel the warriors against the horrors of war. He could have given up his life to heal the world of its evils but, would not have lost his precious life in foolish warfare.

Lines 40 to 44:

The dead soldier now reveals the soldier-poet that he was the enemy who was killed by the soldier poet on the other day. He has recognized his slayer by the frown in his eyes. Since he is killed, he now wants profound and undisturbed sleep. He also invites the soldier-poet to sleep with him as they are no more the enemy of each other

Strange Meeting Poem Annotations with Comments

Lines 1 to 14:

It seemed : It seemed that the entire episode of an experience in the dungeon hell came to the soldier-poet in a vision
out of battle : out of the battle-field
escaped : went out
profound : deep
dull : dark
tunnel : opening cut through a hill
long since scooped : dug out long before
granites : rocks of granite stone
titanic : terrible
titanic wars : devastating wars that the Titans waged against their children
groined : vaults
encumbered sleepers : dead soldiers huddled together
encumbered : crowded
groaned : made cries of pain in sleep
Too fast in thought : deeply absorbed in thought
death : senselessness
bestirred : woken up
probed : poked stared with
piteous eyes : stared with distressing signs in his looks lifting distressful
hands, as if to bless : raising his hand painfully as if to bless the soldier-poet
sullen hail : gloomy and dark tunnel
dead smile : smile with a mere grin
thousand pains : the face of the German soldier was marked with the lines of thousand sorrow
vision’s face : face of the figure seen in the vision
grained : lined
blood : bloodshed on the battle-field
thumped : boomed
flues : passages for smoke over chimney
no cause to mourn : no real cause for lamenting in hell (or after-life).

Comment:

Titanic : Titans are the children of Uranus and Gaes. They, often called the Elder Gods, were deities of the early Greeks. They represents either primitive forces of nature or abstract qualities. Titans were originally six males and six females.

Later writers also placed some of the children of Titans among the Titans. The Titans, with the exception of Oceanus, revolted against Uranus, disposed him, and made Coronos ruler of the world. The adjective Titanic therefore refers to some monstrous warfare. – From The Wordsworth Dictionary of Classical Allusion.

undone years : years of his life lie in total ruin in hell
hopelessness : despair
Whatever hope …. life also : The German soldier says that his life was full of hope like the soldier-poet’s
hunting : searching
wild : indefatigably
wildest beauty : most romantic beauty
which lies not calm in eyes : the beauty that he searched for did not lie in the serene eyes or the braided hair of a young girl.
mocks : outpaces
steady : slow and regular
running of the hour : passage of time But mocks the steady
running of the hour: This beauty is eternal if it grieves: If the beauty pursued
Is the cause of sorrow grieves ….. than here: If the beauty pursued is the cause of sorrow, it has greater cause to grieve in this world than it has here
glee: joy
many men have laughed: many people could have been made happy
weeping : mourning
And of my ….. left : sorrows that he suffered in the battlefield yet remains in the world
Which must die now : since he is dead, the sorrows will remain untold to the world
I mean the truth untold : the truth of war will remain untold to the world
Pity of war : the sense of pathos that a right view of the foolish waste of life warfare creates.

Lines 26 to 33:

Now men …. Spoiled : Now when the German soldier is dead and the truth of war remains untold, men will feel complacent with what they did in the war
Spoiled : plundered
boil bloody : rage and fret and grow red in the face
spilled : involved in blood shed, like boiling liquid
brimming over and spilled on the ground
swift : burning with the desire to kill. None will break ranks: no nation will dissolve its army and give up fighting
Treak: march away from
I had mystery : I gained deep insight into the mysteries of life

mystery : mystic knowledge of hiden truth
mastery : excellence
To miss : so that he could easily live apart from the erring world and wait for the opportune moment to come out and heal it by giving it the truths
retreating world : degeneration of civilization, day after day
citadels : forts
That walled : into the unprotected fortress.

Comment:

Into vain citadels that are not walled: Citadel is the symbol of civilization and the word ‘not walled’ means open to attack. Owen perhaps suggests that the civilization is under threat.

Lines 34 to 39:

blood : bloodshed in battlefield
clogged : obstructed
when…..their chariot-wheels : when nations have shed enough of blood and despaired of achieving any good out of hatred suspicion and warfare
I would go up : he would go forward
wash them : wash the wounds of nations
sweet wells : the truth about war
taints : stain
that taints : that cannot be corrupted by vicious doctrines of hate and warfare
I would…spirit : had he lived he would have given his life and soul
without stint : liberally
But not.., wounds : but no dying from the effects of wounds received warfare
cess: forced realization
Foreheads……wounds were : the innocent youth with clean foreheads, compelled to fight and are slaughtered merciless.

Comment:

Foreheads …….. wounds were: There ‘may be just a passing allusion in this line to the foreheads of Christ bleeding because of the crown of thorn thrust upon him:

Lines 40 to 44:

enemy : refers to the German-soldier
know : recognize, identified.
Dark : dark hell
frowned : looked gloomfly
through me : into face
jabbed : stabbed
parried : prevented
but my… cold: when the German soldier was killed by the soldier-poet. He could not defend himself, as he felt disinclined to give him counter-stroke and his hands were cold through exposure
Let us sleep now : The two soldiers now will not be any use to the world. They are dead forever. Hence, the German soldier asks the soldier-poet to enjoy sleep forever.

Comments:

Let us sleep now: The word “us” perhaps suggest that the soldier-poet too dead. I am the enemy you killed, my friend: ‘The two antithetical words ‘enemy and ‘friend suggest the difference between thed entity of a human being before and after death.

Before death, there might be some antagonism between the man of two different nations. But after death the Identity as a human being is larger than any other identity, Hence, the enemy who ‘jabbed and killed’ the German soldier can now safely be called a ‘friend’.

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Death of Naturalist Poem Long Answer Questions

Question 1.
Attempt a critical appreciation of Death of a Naturalist.
Or
Question 2.
Death of a Naturalist is a poem about the loss of innocence. Discuss with close reference to the poem.
Answer:
Death of a Naturalist was published in 1966 in Heaney’s debut anthology of poetry entitled Death of a Naturalist. Heaney however goes down memory lane to bring alive his childhood days when he was significantly obsessed with frogspawn.

But, with the transition to maturity, the simplicity of nature hardly enthralls him anymore. Instead he feels deeply repulsed observing the tadpoles turning into ugly frogs. The poem however explores the loss of innocence as the poet sees the harsher side of nature and feels threatened and frightened by the end.

Death of a Naturalist begins with a succinct picture of the flax plant being placed over a muddy pool and left exposed to the sun round the year. Such picture abounds in his native Country Derry, Northern Ireland where Heaney makes a frequent visit to collect frogspawn.

Every spring he would fill his jars with frog eggs and leave them on the windowsills at home and at school, waiting and watching until they turn to swimming tadpoles. The obsession for frogspawn is further reinforced when Heaney recalls Miss. Wall, his childhood teacher, explaining the reproductive cycle of frogs the croaking of the male frog inspires the mammy frog to lay hundreds of tiny eggs which however is the frogspawn.

Such simple explanation which Heaney believed as a child reveals his innocent acceptance of things more complicated to comprehend during one’s childhood. However, innocence is also established when Heaney as a child was close to nature. The foul smell of rotting flax, the thick, stagnant, rotten water, the unpleasant sight of insects hovering around the muddy earth had no repulsive effect upon him. In this part of the poem, the flax dam appears charming despite all its nauseating effect.

But, as Heaney grows closer to being an adult, the natural world becomes more foreign and menacing to him. The smell of the flax dam now “rank” with “cow dung in the grass”. The sight of adult frog is deeply loathsome. Some of them jumped around and the others sitting “like mud grenades” ready to explode. It seems as if the vicious frogs are “gathered there for vengeance”.

The speaker once stole away their frogspawn.’It’s time for them to attack the intruder once they find the speaker within their range. Hence, the speaker flees the scene which once pleased him during his childhood days.

Question 3.
Comment on the significance of the title Death of a Naturalist.
Answer:
The epithet Death of a Naturalist is deeply ironic in the sense that a child’s obsession for nature turns into aversion once he grows closer to being an adult. As a naturalist, one would not be bothered about the “coarse croaking” of the “angry frogs”, or the stinky odour “cow dung in the grass”.

But, Heaney’s speaker runs away from his favourite place during childhood since his attachment to the world of nature weakens over time. Initially Heaney’s obsession with the frogspawn made him believe that he was a naturalist. Every spring he would fill his jars with frog eggs and leave them on the windowsills at home and at school, waiting and watching until they turn to swimming tadpoles.

The obsession for frogspawn is further reinforced when Heaney recalls Miss. Wall, his childhood teacher, explaining the reproductive cycle of frogs, which Heaney still remembers. But a significant change is observed in one ‘hot day’ when the same field of flax repulses him with all its unpleasant sight, sound and smell.

For example, smell of the flax dam now “rank” with “cow dung in the grass”. An army of hostile frogs were seen aggressively darting inside the flax dam. The speaker was so appalled by the sinister croak of the frogs and the stench of the field that he chose to stay away from the place.

He says that he has never in fact, heard the horrifying croak of frogs that seems so horrible, especially when they puff out their throats with deep anger. The negative image of frog suggests the change of mindset that an individual experience while moving towards adulthood.

Such change is further reinforced when Heaney fancies the frogs as mud grenades, ready to explode. The frogs are “gathered there for vengeance”. The speaker once stole away their frogspawn. It’s now time for them to attack the intruder once they find the speaker within their range.

Hence, the speaker flees the scene which once pleased him during his childhood days. The escape from the harsh and dreadful natural world results in the death of the naturalist in him.

Death of Naturalist Poem Short Answer Questions

Question 1.
Describe in brief Heaney’s obsession with the frogspawn during his childhood days.
Answer:
During his childhood days, Heaney developed a severe obsession for frogspawn which made him believe that he was a naturalist. Every spring time he would make a frequent visit to the flax dam his native Country Derry, Northern Ireland to collect frogspawn.

He would fill his jars with frog eggs and leave them on the windowsills at home and at school, waiting and watching until they turn to swimming tadpoles. The obsession for frogspawn is further reinforced when Heaney recalls Miss. Wall, his childhood teacher, explaining the reproductive cycle of frogs.

In a simple way, Miss. Wall would describe how the female frogs are inspired to lay eggs by the male frog, i.e. the bullfrog. The croaking of the bullfrog would tempt the mammy frog to lay hundreds of tiny eggs which however is the frogspawn.

Such simple explanation which Heaney believed as a child reveals his innocent acceptance of things more complicated to comprehend during one’s childhood. In fact, childhood is the time when one develops obsessions for the simple natural things which ultimately weakens over time. This is what is suggested by Heaney in his Death of a Naturalist.

Question 2.
What significant change does Heaney observe in him on a hot day?
Answer:
Heaney’s obsession for nature turns into aversion once he grows closer to being an adult. Particularly on a hot day, Heaney observes this change in him when suddenly the same flax repulses him with all its unpleasant sight, sound and smell.

The fax which once had no repulsive effect on him now reeks with “cow dung in the grass”. On the other hand, the sight of grown up frogs seems terribly threatening. The speaker is so appalled by the sinister croak of the frogs and the stench of the field that he chose to stay away from the place.

He says that he has never in fact, heard the horrifying croak of frogs that seems so horrible, especially when they puff out their throats with deep anger. The negative image of frog suggests the change of mindset that an individual experience while moving towards adulthood. Such change is further reinforced when Heaney fancies the frogs as mud grenades, ready to explode.

The frogs are “gathered there for vengeance”. The speaker once stole away their frogspawn. It’s now time for them to attack the intruder once they find the speaker within their range. Hence, the speaker flees the scene which once pleased him during his childhood days. The escape from the harsh and dreadful natural world results in the death of the naturalist in him.

Death of Naturalist Poem Multiple Choice Questions (MCQs)

Question 1.
“What is left exposed to the sun round the year?
a. Tobacco leaves
b. Flax plant sheaves
c. Leather
d. Grapes
Answer:
b. Flax plant sheaves

Question 2.
Why does the speaker visit the place where flax are left exposed to sun?
a. To collect flax
b. To watch various insects
c. To smell the odour of rotten flax
d. To collect frogspawn
Answer:
d. To collect frogspawn

Question 3.
Where does the speaker keep the frogspawn?
a. In basket
b. In jars
c. In bowl
d. In mug
Answer:
b. In jars

Question 4.
Who among these was the teacher of the speaker?
a. Miss. Meadow
b. Miss. Wills
c. Miss. Wall
d. Mr. Wall
Answer:
c. Miss. Wall

Question 5.
What did Miss. Wall teach the speaker?
a. The way to collect frogspawn
b. The life of frog
c. The way to cultivate flax
d. The reproductive cycle of frogs
Answer:
d. The reproductive cycle of frogs

Question 6.
How does Miss. Wall call male and female frog?
a. Mama and daddy frog
b. Papa and mama frog
c. Bullfrog and mammy frog
d. Bullfrog and mummy frog
Answer:
c. Bullfrog and mammy frog

Question 7.
Which among these insects is not mentioned in the poem?
a. Dragonfly
b. Butterfly
c. Blue fly
d. Grasshopper
Answer:
d. Grasshopper

Question 8.
What changes did the speaker find in him in one hot day?
a. He has grown old
b. His love for the frogspawn has grown intense
c. He no longer remains a naturalist
d. None of the above
Answer:
c. He no longer remains a naturalist

Question 9.
The adult frogs were gathered to ……….
a. Lay eggs
b. croak together
c. eat insects
D. Take revenge against the speaker
Answer:
D. Take revenge against the speaker

Question 10.
The adult frogs wanted to take revenge against the speaker since ………..
a. He once killed their babies
b. He scared them away from the field
c. He stole away their frogspawn
d. He no longer remains a child
Answer:
c. He stole away their frogspawn

Death of Naturalist Poem Summary

Death of Naturalist Poem Introduction

Published in 1966 in Heaney’s debut anthology of poetry entitled Death of a Naturalist, the present poem establishes Heaney’s reputation as the foremost Irish poet of his generation. Heaney however goes down memory lane to bring alive his childhood days when he was significantly obsessed with frogspawn.

But, with the transition to maturity, the simplicity of nature hardly enthralls him anymore. Instead he feels deeply repulsed observing the tadpoles turning into ugly frogs. The poem however explores the loss of innocence as the poet sees the harsher side of nature and feels threatened and frightened by the end.

Death of Naturalist Poem Summary

A child speaker observes how flax plant sheaves are positioned over a muddy pool and left exposed to the sun all year long. The flax rots in the muddy water and then becomes hot in the extreme heat of the sun. Foul smell of rotten flax hover around the field where insects like blue flies, dragonflies and butterflies gather around the thick, stagnant, rotten water with bubbles winking on its surface.

The speaker who often visits the place, becomes obsessed with the frogspawn, a jelly like substance which bears the egg of a frog. Every spring he would fill his jars with frog eggs and leave them on the windowsills at home and at school, waiting and watching until they turn to swimming tadpoles. The speaker’s obsession is further tantalized by Miss. Wall, probably his teacher, whose classes on the reproductive cycle of the frogs is still remembered by him.

The speaker says that Miss. Wall described the way the female frog lays eggs when inspired by the male frog, i.e. the bullfrog. The bullfrog croaks and the mammy frog lays hundreds of tiny eggs which however is the frogspawn. Moreover, the speaker’s innocent mind would also believe that the colours of frogs determine the weather.

The yellow frog and the brown frog represent sun and rain respectively. Innocence, however is thwarted once the speaker grows up. He remembers one hot day when he saw an army of hostile frogs aggressively darting inside the flax-dam. The frogs were croaking furiously aloud, puffing out their throats with deep anger. Some of them jumped around, while some others sat, seething with furious rage, once they see the speaker within their range. They looked like mud grenades, ready to explode.

The dreadful sight of the frogs, their menacing activities terrorized the speaker. It seemed as if the ugly frogs’ were all gathered to take revenge upon the speaker since he once stole away the frogspawn. The speaker now feels that the spawn that he so earnestly held up in his hand to put into his jar seem to be ready to seize his hand if he dipped it in the spawn. Terrified, he runs away from the loathsome place.

Death of Naturalist Poem Paraphrase

Lines 1 to 6:

A child speaker observes how the sheaves of flax plants are placed over a muddy pool and left exposed to the sun round the year. The flax rots in the muddy water and then becomes hot in the extreme heat of the sun. Foul smell of rotten flax hover around along with the buzzing sound of blue flies, gathered around the thick, stagnant, rotten water with bubbles winking on its surface.

Lines 7 to 15:

Along with the blue flies, dragonflies and butterflies too thronged the place. But, what enthralled the speaker most was the frogspawn, a jelly like substance which bears the egg of a frog. Every spring the speaker would fill his jars with frog eggs and leave them on the windowsills at home and at school, waiting and watching until they turn to swimming tadpoles.

Lines 15 to 21:

Miss Wall, probably the speaker’s teacher, would explain the complete reproductive cycle of the frogs by detailing the process as simply as possible. The speaker remembers the words of his teacher which states that the male frog, i.e. the bullfrog inspires the female frog to lay eggs while he croaks. The mammy frog lays hundreds of tiny eggs which however is the frogspawn. One could forecast the weather by looking at the colours of frogs. The frog however turns yellow in the sun and brown in the rain.

Lines 22 to 26:

One hot day when the field was stinking with the foul smell of cow dung, an army of hostile frogs were seen aggressively darting inside the flax-dam. The speaker was so appalled by sinister croak of the frogs and the stench of the field that he chose to stay away from the place. The speaker however had never, in fact, heard the horrifying cacophony of frogs, croaking aloud.

Lines 27 to 33:

The sight of the grown up frogs seem too unpleasant for the speaker. They continued croaking furiously aloud, puffing out their throats with deep anger. Some of them jumped around, while some others sat, seething with furious rage, once they see the speaker within their range. They looked like mud grenades, ready to explode.

The dreadful sight of the frogs, their menacing activities terrorized the speaker. It seemed as if the ugly frogs were gathered to revenge upon the speaker since he once stole away the frogspawn. The speaker now feels that the spawn that he so earnestly held up in his hand to put into his jar seem to be ready to seize his hand if he dipped it in the spawn. Terrified, he runs away from the loathsome place.

Death of Naturalist Poem Annotations with Comments

Lines 1 to 6:

All year : throughout the year
Flax : herbaceous plant that is cultivated for its seed
Festered : rotted
Towniand : a division of land of varioussizes
heavy headed : heavy on top. A human quality is attributed to the flax when the poet says that flax are heavy headed
rotted: decayed
weighted down: weighed down
sods: pieces of cut turf which helps to cultivate the flax
sweltered: becomes hot and suffocative
punishing sun: torturous sun in the sense that its very hot. Sun here is fancied as oppressor, burning down on the flax.
Bubbles : The bubbles in the muddy earth are producing gargling sound.
Gargled : the gargling sound produced by bubbles
Bluebottles : kind of flies
Wove a strong the smell : the hordes of flies buzzing around the flax-dam

Comment:

flax dam : A flax dam isn’t actually a dam, but a muddy patch of earth which is soaked to soften the flax. During such process, things get pretty stinky. ‘The plant basically rots as it softens, let ting off, an unpleasant smell.’ Heaney however looks back to a time when he was a boy. During those days he was deeply enthralled by the local flax-dam, an area of boggy water in his native County Derry, Northern Ireland.

Lines 7 to 15:

Dragonflies : a large insect with a long,thin, brightly coloured body and two pairs of transparent wings
Slobber : thick saliva
Frogspawn : a jelly like substance which bears the egg of a frog
Clotted : thick
Jampotfuls : fill jars with frog eggs
Specks : eggs
Range: place
window sills : narrow shelf below a window either inside or outside
fattening dots : growing eggs
burst : hatches
nimble : swift moving
tadpoles : a larval amphibian

Comment:

every spring …. jampotfuls of the jellied specks: Spring is the time of rebirth and renewal. The frogspawns are thus, all over the place responding to the cycle of life

to range on window sills …shelves at school: The speaker appears to be an avid collector of frogspawn. He would fill the jam jars with the eggs and leave them on the windowsills at home and at school, waiting and watching until they turn to swimming tadpoles.

This establishes his obsession for the frogspawn which is further established once he recalls the lessons of Miss Walls. Presumably the teacher of the speaker during his childhood, Miss. Walls used to teach how “hundreds of little eggs” finally hatch into tadpoles which the speaker once liked to watch.

Lines 15 to 21:

Miss Walls : probably the speaker’s teacher
daddy frog : male frog
bullfrog : large frog having a deep booming croak
mammy frog : female frog Laid hundreds…..
this was Frogspawn : female frog lays hundreds of eggs in the frogspawn, tadpoles eventually hatch out from the eggs
tell the weather : predict the weather yellow in sun ….
brown in rain : the colour of frog turns yellow in the sun and brown in the rain.

Comment:

You could tell the weather by frogs: The fact that one could forecast the weather by looking whether the frogs were yellow or brown is also related to suggest the innocence as well as the confident curiosity of the young boy.

Lines 22 to 26:

Rank with : filled with
Invaded : enter aggressively
Ducked : dodged
Hedges : bushes
Coarse : rough
Croaking: refers to the croaking sound of frogs
Bass chorus: deep sound produced by a group of frogs

Comment:

Then one hot day: Heaney now deviates from his collective memory of “every spring,” when his speaker used to collect frogspawn and Miss. Wall, his teacher would give a lesson on the reproductive cycle of frogs. He now meditates upon a “hot day” with unpleasant images of ”angry frogs” which simply sickens him.

This how ever indicates his loss of innocence when even the most basic natural sceneries would make him happy. The speaker’s transition to maturity and loss of innocence is symbolised by the swimming tadpoles turning into “great slime kings”.

Lines 27 to 33:

Gross : ugly
Bellied : swelled (here it refers to the frog bellies)
Sods : pieces of turf.
Pulsed : throbbed The loose necks…
snails: the frogs make their croaking sound, by puffing out their throats.
Hopped : jumped
slap and plop : various kinds of sounds made by frogs while they are on move
obscene : unpleasant
poised : prepared and waiting for something
grenades : hand bomb
blunt heads : soft heads
slime : an unpleasantly thick and slippery liquid substance
slime kings : refers to the ugly big frogs which look like slippery liquid substance
vengeance : revenge
dipped : put or let something down
spawn : frog spawn
clutch : hold tightly

Comment:

sickened, turned, and ran: The speaker now ceases to be a naturalist all because of his aversion for the nature. As Heaney grows closer to being an adult, the natural world becomes more foreign and menacing to him. The smell of the flax dam now “rank” with “cow dung in the grass”.

The adult frogs appear threatening with their resolution to take revenge against the speaker who once stole away their frogspawn. They look like “mud grenades” ready to explode. Hence, the speaker flees the scene which once pleased him during his childhood days.

Rhapsody: A Collection of ISC Poems Workbook Answers

Sonnet-116 Poem Questions and Answers & Summary

Poem 3 Sonnet-116 Questions and Answers

Sonnet-116 Poem Summary, Questions and Answers

Sonnet-116 Poem Long Answer Questions

Question 1.
Attempt a critical appreciation of Sonnet 116.
Answer:
Sonnet 116 is a well known poem in the entire sequence. The definition of love which Shakespeare forwards in this sonnet has become a yardstick of what true love means. Love can be labelled as true only when it shows the power to overcome every “impediment” that comes in its way.

True love however is constant, immortal and continues to exist even when physical beauty falls prey to time’s sickle. Such conviction goads the bard to compose the poem and glorify true love. The poem opens with the speaker disapproving any sort of interference amidst true love.

True love conquers all barriers which come on its way and remains loyal and committed forever. Love ceases to become true if it changes with the change of time or with the change in the loved one. The storms of life can never influence true love all because of its firmness.

This idea is further consolidated with the image of a pole star which never changes its position in the night sky. In fact, pole star is an “ever fixed mark” which cannot be “shaken” even by violent tempest. The reference to tempest is significant in the sense that it represents the blows of life, the “impediments” which tends to threat the lovers ionging to unite all because of their “true minds”.

Real love thus, stands the test of time and guides the course of life just like the pole star guiding a lost ship in the uncharted ocean. In this sense, the value of true love is inestimable like the pole star whose altitude can be determined but, its worth remains immeasurable.

In the third quatrain, the speaker personifies time as a Grim Reaper dressed in long robe and carrying a sickle. Just as a reaper reaps crops with his sickle, time destroys the lustrous beauty of a person. The rosy lips and cheeks thus, come within time’s blow but true love endures because it is transcendental. True love does not change with hours and weeks.

Instead, continues remaining loyal and devoted till the dreadful day of judgment. If such conviction proves to be wrong, the poet says that he would not have written a single word and people wouldn’t have been in love.

As regard to its form, Sonnet 116 is written strictly in accordance with the structure maintained in other sonnets of Shakespeare. There are indeed three quatrains and a couplet which ends the sonnet. The rhyme scheme is abab cdcd efef gg.

Question 2.
“Sonnet 116 bristles with various images.” Discuss with close reference to the poem.
Answer:
Imagery is a common term of variable meaning, which includes the “mental pictures” that readers experience within a passage of literature. It signifies all the sensory perceptions referred to in a poem, whether by literal description, allusion, simile, or metaphor.

Imagery however is not limited to visual imagery; it also includes auditory (sound), tactile (touch), olfactory (smell)’, and gustatory (taste) sensation. Shakespeare’s Sonnet 116, bristles with various images which collectively establishes the poet’s belief that true love does not come in the range of time’s sickle.

To begin with, the poem opens with a declaration that true love has the magical power to conquer all barriers which come on its way and still remains loyal and committed forever. Love ceases to become true if it changes with the change of time or with the change in the loved one. In fact, real love continues to survive amidst all odds and is always steady and firm.

The storms of life can never influence true love all because of its firmness. This idea is further consolidated with the image of a pole star which never changes its position in the night sky. In fact, pole star is an “ever fixed mark” which cannot be “shaken” even by violent tempest.

The reference to tempest is significant in the sense that it represents the blows of life, the “impediments” which tends to threat the lovers longing to unite all because of their “true minds”. But, real love successfully stands the test of time and guides the course of life just like the pole star guiding a lost ship in the uncharted ocean. In this sense, the value of true love is inestimable like the pole star whose altitude can be determined but, its worth remains immeasurable.

However, in the third quatrain, time is personified as a Grim Reaper, in long robe, carrying a sickle. The image however is drawn from the traditional myth of Cronus a harvest god, in long robes, bearing a scythe. Just as a reaper reaps crops with his sickle, time destroys the lustrous beauty of a person.

The rosy lips and cheeks thus, come within time’s blow but true Jove endures because it is transcendental. True love does not change with hours and weeks. Instead, continues remaining loyal and devoted till the dreadful day of judgment. If such conviction proves to be wrong, the poet would not have written a single word. Even people wouldn’t have been in love if true love isn’t what the poet claims it to be.

Sonnet-116 Poem Short Answer Questions

Question 1.
Provide a succinct description of the factors that determine that “love is not love”.
Answer:
Sonnet 116 presents a catalogue of factors which determines whether love is true or fake. In the first quatrain, it is made clear what love is not. For example, true love endures every impediment on its way and yet continues to exist triumphantly.

In other words, true love conquers all obstacles that stand in its way and remains consistently stable and Firm. Love ceases to become true if it changes with the change of time. Even if there is a significant change in the loved one should not give up.

After all real love doesn’t disappear even when the loved one remove affection. Real love continues to survive amidst all odds and is always steady and firm. The storms of life can never influence true love all because of its firmness. Moreover, it no longer qualifies as true love which changes with hours and weeks. Time has no influence over it.

Hence, true love continues to remain loyal and devoted till the” dreadful day of judgment. Shakespeare however is too specific about what true love isn’t which establishes his high regard for love. In a way, it is only love for love’s sake that he considers as true love in his sonnet.

Question 2.
Provide a succinct description of the factors that determine true love.
Answer:
Sonnet 116 presents a catalogue of factors that determines whether love is true or fake. True love however endures all impediments which come on its way and yet continues to exist triumphantly. In other words, true love conquers all obstacles that stand in its way and remains consistently stable and firm.

The v storms of life can never influence true love all because of its constancy. Shakespeare further strengthens this idea with the image of a pole star. Just which never changes its position in the night sky. In fact, pole star is an “ever-fixed mark” which cannot be “shaken” even by violent tempest.

The reference to tempest is significant in the sense that it represents the blows of life, the “impediments” which tends to threat the lovers longing to unite all because of their “true minds”. But, real love successfully stands the test of time and guides the course of life just like the pole star guiding a lost ship in the uncharted ocean. In this sense, the value of true love is inestimable like the pole star whose altitude can be determined but, its worth remains immeasurable.

Question 3.
Describe the concept of time and love in Sonnet 116.
Answer:
Almost all of Shakespeare’s sonnets are depressively obsessed with the triumph of love over time. True love as the bard views is ageless since it exists outside the realm of time. Love can only be considered real if every obstacle can be fought triumphantly. Shakespeare openly condemns love which yields to time. This is evident when he Claims that love is “not Time’s fool”.

Time has no influence over love. Though “rosy lips and cheeks” symbolizing the boisterous youth of a lady, falls prey to time’s sickle, yet love continues to exist as it has nothing to do with physical beauty. True love however is transcendental. It is after all the attachment of mind which matters instead of physical attachment. Hence, true love is ageless.

It does not change with hours and weeks. Instead, remains loyal and devoted till the dreadful day of judgment. The poet however is so convinced about what true love is that he says that he would not have written a single word in favour of love; nor people would have been in love: “If this be error and upon me prov’d, / I never writ, nor no man ever lov’d.”

Sonnet-116 Poem Multiple Choice Questions (MCQs)

Question 1.
When marriage is not a barrier?
a. When partners are affluent
b. When partners are physically intimate
c. When partners are mentally attached
d. When the partners are willing to get married
Answer:
c. When partners are mentally attached

Question 2.
Which among the following statement is true?
a. Love is true when lovers changes with time
b. Love endures all impediments and yet remains steady
c. True love is nothing but a myth
d. Love vanishes with blows of life
Answer:
b. Love endures all impediments and yet remains steady

Question 3.
True love is like pole star because
a. Pole star changes its position
b. Pole star is shaken by tempest
c. Pole star remains fixed in one particular position
d. Pole star misleads a directionless ship
Answer:
c. Pole star remains fixed in one particular position

Question 4.
What is meant by star to every wandering bark?
a. A star misleads a directionless ship
b. A star is followed by ship
c. Pole star aids a directionless ship to find its way
d. A wandering ship guides a star
Answer:
c. Pole star aids a directionless ship to find its way

Question 5.
Time is fancied as a ………. in the poem
a. Gleaner
b. Cobbler
c. Blacksmith
d. Reaper
Answer:
d. Reaper

Question 6.
What is immeasurable of a pole star?
a. Altitude
b. Worth
c. Size
d. Position
Answer:
b. Worth

Question 7.
What actually is time’s fool?
a. Love
b. True mind
c. Physical beauty
d. None of the above
Answer:
c. Physical beauty

Question 8.
What isn’t time’s fool?
a. Rosy lips and cheeks
b. Mind
c. True love
d. None of the above
Answer:
c. True love

Question 9.
If love is not about true mind the poet would not have……….
a. Fallen in love
b. Written a word about it
c. Encouraged people to fall in love
d. Asked people to marry
Answer:
b. Written a word about it

Question 10.
People still fall in love since
a. They want to marry
b. They can’t stay alone
c. True love exist
d. It is a beautiful experience
Answer:
c. True love exist

Sonnet-116 Poem Summary

Sonnet-116 Poem Introduction

Sonnet 116 is a well known poem in the entire sequence. The definition of love which Shakespeare forwards in this sonnet has become a yardstick of what true love means. Love can be labelled as true only when it shows the power to overcome every “impediment” that comes in its way.

True love however is constant, immortal and continues to exist even when physical beauty falls prey to time’s sickle. Such conviction goads the bard to compose the poem and glorify true love.

Sonnet-116 Poem Summary

The speaker disapproves any sort of interference amidst true love. After all, pure love conquers all barriers which come on its way and still remains loyal and committed forever. Love ceases to become true if it changes with the change of time or with the change in the loved one. In other words, real love doesn’t disappear even when the loved one removes affection.

Real love continues to survive amidst all odds and is always steady and firm. The storms of life can never influence true love all because of its firmness. In fact, true love seems to be like the pole star which never changes its position in the night sky. Just as the pole star guides a lost ship, real love too guides the course of life. In this sense, the value of true love is inestimable like the pole star whose altitude can be determined but, its worth remains immeasurable.

True love is ageless as time has no influence over it. The speaker personifies time as a Grim Reaper, in long robe, carrying a sickle. Just as a reaper reaps crops with his sickle, time destroys the lustrous beauty of a person. The rosy lips and cheeks thus, come within time’s blow but true love endures because it is transcendental.

True love does not change with hours and weeks. Instead, continues remaining loyal and devoted till the dreadful day of judgment. If such conviction proves to be wrong, the poet would not have written a single word. Even people wouldn’t have been in love if true love isn’t what the poet claims it to be.

Sonnet-116 Poem Paraphrase

Stanza I :

The speaker disapproves any sort of interference amidst true love. After all true love conquers all obstacles which come on its way and remains loyal and devoted forever. Love ceases to become true if it changes with the change of time or with the change in the loved one. In other words, real love doesn’t disappear even when the loved one remove affection. Real love continues to survive amidst all odds.

Stanza II :

True love is always steady and firm. The storms of life can never influence true love all because of its firmness. In fact, true love seems to be like the pole star which never changes its position in the night sky. Just as the pole star guides a lost ship, real love too guides the course of life. In this sense, the value of true love is inestimable like the pole star whose altitude can be determined but, its worth remains immeasurable.

Stanza III :

True love is ageless as time has no influence over it. Time however is fancied as a Grim Reaper, in long robe, carrying a sickle. Just as a reaper reaps crops with his sickle, time destroys the lustrous beauty of a person. The rosy lips and cheeks thus, come within time’s blow but true love continues to exist as it is beyond physical. True love does not change with hours and weeks. Instead, continues remaining loyal and devoted till the dreadful day of judgment.

Couplet:

If the nature of true love advocated by the poet is wrong then he would not have written a single word. Even no man would ever have been in love if true love isn’t what the poet claims in this poem.

Sonnet-116 Poem Annotations with Comments

Stanza I:

The marriage of true minds : refers to the attachment of two minds in
Admit impediments : allow interference
Let me not …. Impediments : the speaker disapproves any sort of interference amidst true love. After all true love conquers all obstacles which come on its way
Love is not love : love ceases to become true
Which alters …….. finds : true love never changes with the change of time
Bends with……. remove : true love never changes when it finds changes in the loved one.

Comment:

The marriage of true minds: Shakespeare defines the ideal relationship as the marriage of true minds; i.e. the deep attachment of two minds. The expression however is based upon the Christian marriage service in the Book of Common Prayer: if any of you know cause or just impediment why these two persons should not be joined together in Holy Matrimony, ye are to declare it.”

Stanza II.

O no! : true love doesn’t change or expire.
It is … mark : true love is always steady and firm.
That looks ….. tempests: true love has courage to face and endure the storms of life
never shaken : never be terrorised
star : refers to the pole star
bark : ship
wandering bark : ship which becomes directionless
worth : value
height : altitude
whose worth … be taken : whose value ¡s inestimable although its altitude can be determined.

Comment:

It is the star to every wand ring bark: The speaker tells what love is through the metaphor of a guiding star to lost ships. Just as a pole star guides a lost ship, love too guides the course of life. Moreover, true love remains steady like pole star even amidst all odds. The constancy of true love is thus highlighted in this verse-line.

Stanza III.

Time’s fool : something that exists for a short period only
Love’s….fool : time has no influence over true ¡oie. It cannot destroy true love which remains for life long.
Rosy lips and cheeks : youthful beauty
sickle’s : scythe
bending sickle’s : this Is a traditional picture of the Grim Reaper.
Within his …. compass : time is personified as a reaper in long robe, carrying a sickle
Though rosy lips…. come : though beauty fades in time as rosy lips and cheeks come within time’s blow
Alters :  change
Love alters … weeks : Love does not change with hours and weeks.
But bears it out: love remains loyal and devoted
to the edge of doom : love remains steady till the last point of the doomsday, when the whole creation will be destroyed. The reference to ‘doom” refers to the Catholic conviction of the doomsday.

Comment:

Love’s not Time’s fool, …. compass come : Shakespeare’s belief that time has no influence over true love is established in these lines. True love is ageless. Even when one grows old, love continues to exists though the physical beauty falls prey to time’s sickle. Shakespeare believes that It is the constancy that binds together the two mutually loving persons.

Within his bending sickle’s compass come : The image of time carrying a sickle brings to the mind the image of the Grim Reaper. The Image how ever is drawn from the traditional myth of Cronus a harvest god, in long robes, bearing a scythe.

Lines 13 to 14: (Couplet)

This : refers to the nature of true love advocated by the poet.
This be error : if the conviction of true love being ageless can be proved to be wrong
I never writ : the poet would not have written a word
no man …… Iov’d : no man can ever have been in love

Comment :

The sonnet makes a dramatic and fairly strong final remark. The poet is in a way confirmed that true love is always ageless and can lead mankind to a meaningful and happy life. If true love would have been a myth, he wouldn’t have wasted time writing about it and no one would have fallen in love.

Rhapsody: A Collection of ISC Poems Workbook Answers

Rhapsody Workbook Answers Poem 10 Death Be Not Proud

Poem 10 Death Be Not Proud

Rhapsody Workbook Answers Poem 10 Death Be Not Proud

Death Be Not Proud Poem Long Answer Questions

Question 1.
In what way can “Death, he Not Frond” he called a religious poem?
Answer:
“Death Be Not Proud” is taken from Donne’s book of Holy Sonnet No. 10. This poem is a religious poem as it deals with the immortality of the souls. All the religious Christians believe in the immortality of the souls. In the poem, the poet says that death has no power over the soul. It can kill only our bodies. After the death, the soul becomes immortal and will wake up eternally in the heaven.

Death cannot conquer soul rather it is the soul that conquers death. So Donne considers death as a poor thing as it is helpless and powerless. By calling it poor the poet actually pities death for its vulnerability and effectiveness. He further says that death is neither terrible nor powerful. Death is only a form of rest and sleep which gives us more pleasure. Again the poet describes death as a slave of fate, chance, kings, and desperate men. It lives in the bad company of power, war and sickness.

It cannot function or work on its own. It is dependent on the agents such as poison, war and fate to put an end of a person’s life. Therefore it is powerless and should not be proud for killing a person. It is death which itself is conquered and dies.

Donne humiliates death and declares the impotence of death. Once a person faces death,he is dead bodily as his soul leaves his body and goes to the heaven where it continues its living with other spirits. Spiritually a person does not die because souls are external. This is the belief or faith of the religious Christians. So we can say that since this poem shows the eternity of the soul, degrading death, therefore the poem deals with religious faith. So it can be called a religious poem.

Question 2.
Explain the significance of the last lines of the poem “Death Be Not Proud”?
Answer:
The poem “Death Be Not Proud” by John Donne deals with the defeat of death, which is seen as all powerful and dreadful by mankind. The poem opens with death being personified as an individual who ends everything but the poet compares it to the other characters and demonstrates his fearlessness towards death, suggesting it to be just a short slumber and more like a passage into one’s eternal existence.

According to John Donne, when death has done its work on man, it Is the end of itself rather than the end of that man because the man will no longer die, but will be transcended to a spiritual being free of the miseries and afflictions of earthly physical life.

So according to the poet, in some ways, meeting death is a happy experience because man will enter his true purpose of living eternally in heaven free from all sufferings. So while existing on the earth, death becomes the only terror for man but after meeting death when his soul travels into another world that is the world of heaven, man becomes terror for death. It is death that perishes not man.

Death Be Not Proud Poem Short Answer Questions

Question 1.
Discuss the opening lines of the sonnet ‘‘Death be Not Proud”.
Answer:
In the opening lines of the poem, Donne addresses Death and asks it not to be proud. Death has been described as forceful and frightening by some, but this is completely different. According to Donne Death is a lowly thing and not a mighty one. Death thinks that it has killed people, rather, their soul become eternal and they awaken to live forever. As a result the soul becomes more powerful and conquers death.

Question 2.
Why is the poet not afraid of death?
Answer:
The poet John Donne is not afraid of death since he believes that when individuals die, they are only dead for a transient period and their souls live on, in the afterlife in the heaven. Therefore he argues that death cannot kill him, and so he is also not afraid of death.

Question 3.
Give an example of the use of paradox in the poem and explain.
Answer:
The poet employs the paradox of death by questioning its traditional picture as the indomitable conqueror of man and claiming that by doing so it provides relief and pleasure like that of ‘rest and sleep’. It ultimately offers the delivery of souls into a tranquil eternity.

Question 4.
How does death set a man free?
Answer:
When a man’s transitions take place from a physical
to a spiritual being, he becomes free. He transcends into the joys of an eternal after life, where he is free from all tragedies, conflicts, sufferings, pains and afflictions of earthly life.

Question 5.
Why do you think the poet personifies Death as a slave?
Answer:
Death cannot function independently. It needs sickness, accidents and poison to determine who will die. So it lacks the ability to choose and so the poet refers it as a ‘slave’.

Question 6.
Who in the poet’s opinion, are the agents of death ?
Answer:
According to the poet, poison, war and sickness, are the agents of death. Death is present in their company. So in order to kill a person, death must enlist the assistance of these evil agents. Death, is a victim of fate, chance, kings and wicked individuals.

Opium and other drugs have the same impact on us as death in terms of putting us to sleep. They help us in sleeping better. Death cannot function on its own level. That’s why the poet has called death to be powerless and helpless instead of dreadful and powerful.

Question 7.
What is the moral lesson of ‘Death Not Be Proud’?
Answer:
The message of the poem ‘Death Be Not Proud’ is that there is nothing to be afraid of death. In fact after death, we enjoy a life of eternity in the heaven where we can rest in peace without tragedies, afflictions, diseases, conflicts, sufferings and pain.

Question 8.
What do people think of death according to the poet?
Answer:
According to the poet, people think of death as mighty and terrifying, something that frightens their imaginations and thoughts. They believe that death is something very powerful and is a tremendous force that kills men and put an end to their lives.

Death Be Not Proud Poem Logic Base Questions

Complete the following sentences by providing a REASON for each:

1. The poet seems to taunt death because it is not independent as it has to take help of something or somebody in order to function. It is slave to chance, kings and desperate men.

2. Death is not actually powerful but it is weak and helpless because it does not have the power to kill all as it cannot kill human soul which is eternal.

3. Death is compared to sleep because like sleep it also gives rest and pleasure to us.

4. The poet pities death because death has no power as such and it can kill no one so it cannot kill the poet also.

5. Death cannot touch our souls because, it has no power to kill the immortal souls as according to Christian theology, souls are eternal.

6. Death should not feel proud because it is not at all powerful and dreadful as people think it to be but instead it is helpless and powerless.

7. Death sends us to a short sleep because after it, we wake up in the other world eternally.

Death Be Not Proud Poem About the Poet John Donne

John Donne was born in 1572 in London, in England. He was a multi-talented person who excelled as a poet, scholar, soldier and an administrator. He was considered as the pre-eminent metaphysical poet of his time. He studied at both Oxford as well as Cambridge universities of England. He studied law.
John Donne wrote a number of sonnets, satires, elegies; love lyrics etc.

His poetical works are noted for their metaphorical and sensual style and include sonnets, love poems, religious poems, Latin translations, epigrams etc. He is also known for his sermons. His style is characterized by abrupt openings and various paradoxes, ironies and dislocations.

He is particularly famous for his mastery of metaphysical conceits. Among his notable works are “The Flea”, “A Valediction : Forbidding Morning”, “The Good Morrow”, “Holy Sonnets”, “The Canonization”, “The Sun Rising”, “The Dream”, “Death Be Not Proud” and many more. He died on 31st March, 1631 in London.

Death Be Not Proud About the Poem

‘Death Be not Proud’ is written between February and August 1609, and was first published posthumously in 1633. It is included as one of the nineteen sonnets that comprise Donne’s Holy Sonnets or Divine Meditations, among his best own works.

‘Death Be Not Proud’ presents an argument against the power of death. Addressing the death as a person, the speaker warns Death against pride in power. So Death actually is presented here as weak and not something “mighty”, which can only have effects on human bodies but not on human souls as they are immortal and deathless. So the main focus of the poem is to underline the immortality of the soul. The poet through this poem wants us to realize that there is life beyond this life.

This poem deconstructs the conventional image of death as a formidable ruler. Donne addresses the poem to Death, implying that Death should not be proud of itself because it is neither frightening nor strong. It has no control over immortal souls. So the poet wants us not to look at the might of it but at the wonderful power of God that we “wake eternally” from Death induced sleep.

He claims that rest and sleep are merely euphemisms for death. Finally, the poet states that death is a form of sleep from which the soul awakens to live eternally and becomes immortal. It is ultimately Death that dies. Donne thus lowers death and claims that it is not frightening or overpowering in any manner.

Death Be Not Proud Poem in Summary

The poem “Death, be Not Proud” starts by addressing ‘Death’ itself. The speaker personifies death as a figure and highlights Death’s false pride, and its short comings. He begins by calling out Death for what he believes is an inflated ego.

Death is neither frightening nor powerful although some people have called it so. It has no power over the soul which is immortal or in other words death has no effect and power over the soul. By calling Death ‘poor’, the poet pities it for its powerlessness and vulnerability.

So we can see how the poet debunks the belief that death is a victor, because it cannot kill soul; it can merely rest his weaiy body and free his soul to heaven. Linking the experience of sleep to death, he suggests that Death is merely a long sleep. Since sleep is pleasurable, there is no reason to believe that Death would not be too.

He says that the best men die young, achieving rest from the realms, and their souls are liberated. So dying is not a terrifying experience but Death should be treated like a welcome friend, not an agent of tenor. The poet tries to say that Death, in truth, is a prisoner, a slave to fate, chance, cruel kings and wicked men or in other words it cannot act on its own.

He is just an instrument in the hands of fate, powerful rulers and vicious persons. Death acts on their call. It is associated with low companions like poison, battle and sickness. Opium and other narcotics can induce better sleep than death. They help us to sleep better. So, death should not be proud of his abilities.

Finally, the poet states that death is a form of sleep from which the soul awakens to live eternally and becomes immortal. So death has no hold or control over us. The soul triumphs over death; it is death that dies. It is not death that perishes us; it is rather death that perishes. So ultimately when we wake up in eternity; death will be no more.

Death Be Not Proud Poem Line Wise Explanation

Death, be not proud, though some have called thee
Mighty and dreadful, for thou art not so;
For those whom thou thinkest, thou dost overthrow
Die not, poor Death, nor yet canst thou kill me.

The poet, John Donne, addresses directly and dramatically Death who is personified as a figure. Such an address to something that we realistically know can’t be listening is called an apostrophe. The first quatrain of the sonnet denies Death as mighty and dreadful as some have called it. So Donne tells Death not to be proud.

Death may believe that he has defeated those who die, but Donne states that actually those people do not die, because their souls live on in the afterlife. He further degrades Death by calling it “ poor death”. He makes fun of Death for living under the misconception of its power for so long. According to the poem, people who die are dead momentarily and then they live along with all the other spirits in the Heaven. This is why Donne says that Death cannot kill him.

From rest and sleep, which but thy pictures be,
Much pleasure; then from thee much more must flow,
And soonest our best men with thee do go,
Rest of their bones, and soul’s delivery.

In these lines the poet compares Death to rest and sleep. Just as we receive pleasure from a night of peaceful sleep, so also Death brings pleasure. The poet attempts to provide us with the reasoning for his argument. If we derive pleasure from rest and sleep, then we must derive even more pleasure from death itself because rest and peace are pale imitations of death.

So in other words we can say that sleep is a short form of death and nothing else. The poet also says that those people who die young are loved by God the most. Death is described here as “rest of bones” and means of soul’s delivery. When death perishes their bodies, they have peace and rest which they do not enjoy in life due to hard work, pain and suffering.

After death the bones get rest and souls become free and immortal. So Death actually gives birth to the soul which earlier was encaged in our body. Therefore we should not fear death as it is not fearful and terrible.

Thou art slave to fate, chance, kings, and desperate men,
And dost with poison, war, and sickness dwell,
And poppy or charms can make us sleep as well,
And better than thy stroke; why swell’st thou then?

In these lines the speaker adopts a stronger tone here and humiliates Death more than he did before. The poet taunts by saying that death cannot operate on its own. It has to seek the help of something or somebody to function. It is a captive or a slave to power of fate, chance, cruel monarchs and desperate men. It is also a poor submissive slave who is driven by rich people and rulers.

Kings and criminals can put an end to a man’s life instantly. Opium is made from the flowers like the poppy and charms are made from magic; both are equally efficient at lulling people to sleep. They also have the same effect on us as death in terms of putting us to sleep.

All these help us to sleep better. Or in other words Death has low companions like poison, war and sickness. Poison, war and physical sickness are destructive. So they are the agents through which Death works. Therefore the poet questions Death as to why it swells up with pride, when it is humbled to a weakling.

One short sleep past, we wake eternally
And death shall be not more; Death, thou shalt die.

The final couplet speaks of the death which is merely a brief sleep since after a person dies, he will awaken and continue living eternally, free of Death or in other words those who experience Death wakes up eternally. Only their bodies perish but the souls remain the same since they go beyond the power and grasp of Death.

From a Christian perspective it can be said that Death itself is alive and logically subjected to its own death. In the other world, there will be no death or Death itself dies. The speaker will awaken from death as if from sleep and never again experience the dying process. Thus the poem ends on a paradox.

Death Be Not Proud Poem Theme

The theme, seen throughout John Donne’s poem is that death is unable to have its effects on the souls. Therefore death should not be feared as it is powerless. It only shows the power of man over Death. Though man is mortal, he is still superior to Death.

Death is a slave to its-inducing agents. It uses fate, chance, kings, criminal and sickness to put an end to someone’s life. So the poet portrays the image of death as a very common thing. He says that death is a ‘short sleep’ and nothing else because it gives us the same pleasure as we derive from sleep. The poet therefore believes in eternal life after death.

We will wake up eternally and there will be no death, so there will be another life after death. The poet makes an emphatic statement that death finishes the mortality of human being and gives them immortal status. Therefore another theme of this poem is immortality of human soul. Death perishes only human bodies. It has no control over soul as it wakes up eternally. So instead of fearing death we should be amazed at the wonder of the Divine scheme that is eternal life after death.

Death Be Not Proud Poem Word Meaning

Mighty — powerful
Thou — you
Thee — you
Overthrow — conquer
Cans’t — cannot
Do go — depart from this world
Bones — bodies
Desperate men — criminals
Dwell — live
Poppie — opium
Charms — magical chorus
Stroke — blow
Swell — puff

Death Be Not Proud Poem Critical Appreciation

John Donne in his poem ‘Death, be not Proud’ addresses death and speaks of its power. He reprimands death for being too proud and remarks that death cannot overpower him. He argues that death is for those whom death thinks that it can overthrow.

The poet also calls the death ‘poore’- it is not human beings who are the subject of pity but death itself deserves that denigration. Thus the poet gives argument after argument showing the powerlessness of death. Since death has no power in itself, it has no independent existence or authority of its own.

In order to kill a man, death has to seek the assistance of chance, fate, power of kings and criminals. It lives in the company of squalor, war and sickness which are all its exterior agents for killing people. The poet strips death of its power as an independent agency. He says death makes a picture of sleep and rest while life keeps on moving.

It provides pleasure and rest just as a peaceful night of sleep provides a man. Death is like a short sleep, as after death we wake eternally. When a person is resting or asleep, he is sort of a useless man. Therefore rest and sleep are pix of demise. So the poet here wants to say how death induces sleep, however there are numerous manner like opium and capsules which offer a higher and gentler sleep.

The forceful and convincing arguments of the poet make his point understandable easily. His tone is harsh and rugged. His irony is bitter and humour coarse. The opening of this poem is generally dramatic. The simplicity of language and complexity of expression make his vocabulary plain and pure. The poem ends on a paradox.

Death Be Not Proud Poem Style

“Death, Be Not Proud” is a sonnet-a poem of fourteen lines. It consists of four quatrains and a couplet at the end. It follows the Shakespearean structure, with a rhyme scheme of abba for the first two quatrains grouping them into an octet which is typical in Petrarchan sonnet.

Therefore if follows the rhyme scheme like a Petrarchan or Italian sonnet. There are many literary devices used in the poem like personification, metaphors, alliterations, assonance, paradox. In the poem death has been personified and since death is addressed directly therefore it can be said as an example of an apostrophe. Egs- Death be not proud, Die not, poor death

Fate and Chance have also been personified as living beings. The metaphors used in the poem are – death being compared to slave, rest and sleep. The repetition of consonant sounds is notable in Much pleasure much more much flow (‘m’ sound) and One short sleep past, we wake eternally (‘w’ sound).

These are alliterations. The repetition of vowel sounds in “And soonest our best men with thee do go” (‘e’ sound) is an example of assonance. The last line of the poem is a paradox where though the statement seems to be false but is actually true.

Death Be Not Proud Poem MCQs

Choose the correct alternative to complete the following sentences:

Question 1.
What is the tone of the poem?
a. harsh
b. sedate
c. gentle
d. passionate
Answer:
a. harsh

Question 2.
Who ‘die quite young’, according to the poet?
a. sick men
b. poor men
c. excellent men
d. bad men
Answer:
c. excellent men

Question 3.
Which of these is not compared to death?
a. rest
b. sleep
c. slave
d. none of the above
Answer:
d. none of the above

Question 4.
The structure of the poem is basically …………..
a. Petrarchan sonnet
b. a Shakespearean sonnet
c. a lyric
d. an elegy
Answer:
b. a Shakespearean sonnet

Question 5.
The form of the poet is basically ……………
a. a lyric
b. an elegy
c. a Shakespearean sonnet
d. a Petrarchan sonnet
Answer:
d. a Petrarchan sonnet

Question 6.
Which of these statements is fake in relation to death’?
a. we should not fear death
b. Death is weak and helpless
c. Death acts independently
d. Death is compared to sleep
Answer:
c. Death acts independently

Question 7.
Death is welcome according to the poem as it …………..
a. gives us rest and pleasure
b. ends all our happiness
c. is very powerful
d. is very frightening
Answer
a. gives us rest and pleasure

Question 8.
What rhyme scheme is followed in …………..
a. abab
b. abba
c. aabb
d. abcd
Answer:
b. abba

Question 9.
Who are the companions of death’?
a. poison, war and sickness
b. war, sickness and opium
c. charms, poison and sickness
d. poison, war and opium
Answer:
a. poison, war and sickness

Question 10.
“One short sleep past. we wake eternally’. what figure of speech is used in the above line?
a. metaphor
b. simile
c. paradox
d. alliterations
Answer:
d. alliterations

Rhapsody: A Collection of ISC Poems Workbook Answers

Rhapsody Workbook Answers Poem 9 Small Towns and the River

Poem 9 Small Towns and the River

Rhapsody Workbook Answers Poem 9 Small Towns and the River

Small Towns and the River Poem Long Answer Questions

Question 1.
Critically appreciate “Small Towns and the River.”
Answer:
Mamang Dai’s works are illustrative. She received the Padma Shri award in 2011 from the Government of India. Her one of the famous works “Small towns and the River” is a poem of life and mortality. In this poem, the eternal flow of the river is being contrasted with the limited span of human life. In this poem, the existence of human life, the eternal truth about death and the concept of the after-life is discussed. The poem opens up by mentioning the life in small towns which is stagnant, irrespective of the season.

The scenario does not change there as the life there is dull and monotonous. The environment there, reminds the poet “of death”. Whenever the news on someone’s death comes, all the people of the town stick together and mourn which shows how close the people are with each other. They share their grief, loss and pain. Life and death comes on goes but “the rituals are permanent.” In this poem, the river is personified by giving it a soul. Irrespective of seasons, the river flows endlessly.

The river, in this poem, acts as a symbol of peace. This poem also talks about the childhood of human life which is a carefree period of innocence. In this period, humans remain free from every tension and troubles. But when they grow up, everything changes.

The grown-ups represent the town and the “dead are placed pointing west.” After death, when the soul rises, “it will walk into the golden east”. There is also a mention of the rebirth of a soul which indicates immortality. According to the poet, life, though non-permanent, is beautiful.

The cool bamboo gets the warmth of sunlight and “life matters, like this.” As sunlight plays a major role for the growth of plants so is life important to keep the soul thriving. This poem contains rich, visual imageries that describe mainly Mother Nature. These images can be called as visual treat which are very much original and pleasing. This poem has lucid language and simple fervour.

Question 2.
What is the theme of the poem “Small Towns and the River?”
Answer:
The theme of the poem “Small Towns and the River” is quiet simple. Through this poem, the poet expresses her idea of life and death. The poet writes, “life and death, life and death,/only the rituals are permanent” which expresses the very fact that life follows death and after death, new life begins and this is an endless circle. Human life is non-permanent but the nature and its rituals are ceaseless.

The river, which is also ceaseless, is personified by giving it a soul. The life of the small towns by the river is expressed as dull and monotonous whereas the flow of the river water is pulsating with life. In this poem, we also can witness the mention of a soul’s rebirth.

The closeness and fellowship among the town dwellers is also highlighted in this poem as they share their happiness and grief side by side. T’ ey have a bonding among them which is fascinating.

Question 3.
In what way does the poet use the river as a metaphor in the poem?
Answer:
In this poem, the river is personified as it is said of having a soul. The river flows ceaselessly; it does not remain same or stagnant. Thus it is full of life and its flow is peaceful. The soul of the river is said to be immortal and as it flows through various lands, towns and other places, it is aware of the first drops of rain that touch the soil, the drought that occurs and the mists on mountaintops.

The poet says that the river knows the immortality of water as its presence is eternal. In this poem, actually, the poet contrasts the constancy of her town with the vibrant flow of the river water. Through the movement of the river water, the poet actually tries to describe the constancy of life.

Small Towns and the River Poem Short Answer Questions

Question 1.
How does the speaker compare her hometown with small towns?
Answer:
By the phrase ‘small towns’ the speaker refers to those places which are devoid of the attachment of Nature. Naturally life here is suffocating. The speaker does not enjoy her existence here. Not only that, the place creates in her the impression of death. However, death here does not imply the absence of life; rather it stands for the absence of the joy of living.

Question 2.
What according to the poetess marks the days of childhood?
Answer:
According to the poetess happy incidents mark the days of childhood. It is at this time that the child creates a world of his own and does not allow the interference of any incident belonging to the outer world. Naturally a thing like political unrest though it exists in the society hardly affects the child.

Question 3.
Comment on the use of imagery in the poem.
Answer:
In this poem, the poet has used multiple rich, visual imageries that describe mainly Mother Nature. These images can be called as visual treat which are very much original and pleasing. The river is personified in this poem because it never stops flowing.

The cool bamboo symbolises human body and the sunlight symbolises human soul because just like a soul puts life into a body, so does the sunlight into a bamboo plant. These images are picturesque and worth-noticing.

Question 4.
Comment on the style of “Small Towns and the River.”
Answer:
In the poem, “Small Towns and the River”, has a lucid style of writing. Metaphorically, this poem talks about the issues of life, death and after-life. The poet has used several images which can be considered as very much original and appealing.

We can also witness an extensive use of personification which is a striking feature of this poem. The river, small towns, the cool bamboo and even the sun is personified in this poem. This poem also shows the consonant sounds like- “Just the other day some died.” (d- sound), “…dreadful silence we wept” (w- sound). This poem is deeply meaningful and carries an inner meaning.

Question 5.
“Just the other day someone died. In the dreadful silence we wept”- Elucidate.
Answer:
Here, the speaker then recalls the day when someone died in her hometown. She recalls how the town mourned the death in dreadful silence. She reflects on the transient nature of life. Only the mourning or weeping on death is constant, as the speaker says, “only the rituals are permanent”.

Small Towns and the River Poem Logic Base Questions

Complete the following sentences by providing a REASON for each:

Question 1.
The hometown of the poet “lies calmly amidst the trees because ………….
Answer:
She used to live in a small town.

Question 2.
Her hometown remains always the same “in summer or winter” because
Answer:
Life there is dull and monotonous.

Question 3.
“Only the rituals are permanent’’ because
Answer:
Life there has no change.

Question 4.
The poet says that the river “has a soul” because
Answer:
It flows ceaselessly and it “knows the immortality of water.”

Question 5.
Childhood is considered as the golden period of life because
Answer:
This is a happy period without any hint of sadness and worries.

Question 6.
In this poem, the river is presented as an immortal being because
Answer:
It never stops flowing.

Question 7.
When someone dies, dreadful silence occurs because
Answer:
Death stops everything.

Question 8.
The cool bamboo is placed under the sunlight because
Answer:
It symbolises life.

Question 9.
When the soul rises, “it will walk into the golden east” because
Answer:
It finds eternal peace.

Question 10.
The poet had used personification is his poem because
Answer:
He wanted to give richness to the poem.

Small Towns and the River Poem About the Poet Mamang dal

Mamang Dai is a celebrated Indian writer, journalist, and poet from Arunachal Pradesh, India. Born in 1959, in the village of Liromoba, in West Siang district of the state, Mamang has been writing since the 1980s. She has published several books in English, Hindi and her native language of Adi, including The Legends of Pensam (2008), The Black Hill (2013), and The Legends of Sela (2015). Mamang Dai’s works often focus on the traditional culture and folklore of her native Arunachal Pradesh.

Dai’s poetic world is one of river, forest and mountain, a limpid and lyrical reflection of the terrain of her home state. Nature here is mysterious, verdant with myth, dense with sacred memory. There is magic to be found everywhere: in the way lilies “navigating on a heartbeat… are shooting up like swordfish”, in the quiet equipoise of “cool bamboo,/ restored in sunlight”, in the “speechless ardour” of mountains. And there is no doubt whatsoever that “the river has a soul”.

She also often covers topics of social and political importance, such as women’s rights and environmental issues. She is a recipient of the Sahitya Akademi Award (2015) and the Padma Shri (2019), the fourth highest civilian award in India.

Mamang Dai is known for her unique style of writing, which combines poetry, prose, and oral storytelling. She is also a noted speaker, having delivered lectures at several universities, including the University of Cambridge and Harvard University. Mamang Dai has been an active member of the Indian literary community for decades, and her works are studied in universities across the world.

For all its simplicity, Dai’s poetry does not arrive at easy conclusions. There is no dishonest sense of anchor here, no blissful pastoral idyll. The poet describes her people as “foragers for a destiny” and her work is pervaded by a deep unease about erased histories and an uncertain future. And yet, implicit in Dai’s poetics is the refusal to divorce protest from love.

(An interview with her in which she eloquently articulates this view, accompanies this edition.) This seems to translate into a commitment to poetry of quiet surges and eddies rather than gritty textures and edges. It also translates into a voice that is never raised in rage or indignation; a tone that is hushed, wondering, thoughtful, reflective. The strength of this poetry is its unforced clarity, its ability to steer clear of easy flamboyance.

Small Towns and the River About the Poem

“Small Towns and the River”, is a small poem written by Mamang Dai. This poem belongs to Mamang Dai’s collection of River Poems that talks about life and mortality. This poem talks about the usual beliefs about the transience of life that is an afterlife and the permanent existence of human soul. The poet uses different metaphors to contrast the impermanence of human life with the permanence of nature. I

n this poem, the poet uses the scenes of her hometown to reflect the very theme of the poem. This poem opens up by enfolding a shocking truth. Through the line “Small towns always remind me of death” the poet gives a particular reference of his hometown, situated among trees. It seems her town is lifeless, always the same both in summer and winter.

People weep when any death happens and amidst “life and death, life and death, only the rituals are permanent.” But unlike human life, nature remains eternal, of which the river plays an important role. The river is also personified in this poem.

When we go further with this poem, we could see how the immortality of the human soul and the immortality of nature are entwined. The eternal flow of the river is also contrasted with the limited span of the human life in this poem.

Small Towns and the River Poem in Detail

The poem begins by mentioning the life in small towns which is unchanging, irrespective of the season. The life there is dull and monotonous. The environment there, reminds the poet “of death”. Whenever the news on someone’s death comes, all the people of the town mourn that indicates how close the people are with each other.

Life and death comes on goes but “the rituals are permanent.” In this poem, the river is personified by giving it a soul. Irrespective of seasons, the river flows ceaselessly. The river, in this poem, acts as a symbol of peace. This poem also talks about the childhood of human life which is a carefree period of innocence. In this period, humans remain free from every tension and troubles. But when they grow up, everything changes. The grown-ups represent the town and the “dead are placed pointing west.”

After death, when the soul rises, “it will walk into the golden east”. There is a mention of the rebirth of a soul which indicates immortality. According to the poet, life, though transient, is beautiful. The cool bamboo gets the warmth of sunlight and “life matters, like this.” As sunlight plays a major role for the growth of plants so is life important to keep the soul thriving.

Small Towns and the River Poem Line Wise Explanation

Small towns always remind me of death.
My hometown lies calmly amidst the trees,
it is always the same,
in summer or winter,
with the dust flying,
or the wind howling down the gorge.

The speaker begins by describing her hometown that lies calmly amidst the trees. This calm town situated amidst trees is symbolic of the ominous silence of death. The image of this small town brings back memories of the dead ones. To the speaker, the town seems unchanged as she says, “it is always the same, in summer or winter”.

This monotony or never-changing nature of her town is also characteristic of death which is an unavoidable truth. The wind is personified as howling down the gorge, and becomes a symbol for the valley of death.

Just the other day someone died.
In the dreadful silence we wept
looking at the sad wreath of tuberoses.
Life and death, life and death,
only the rituals are permanent.

In this stanza, the speaker then recalls the day when someone died in her hometown. She recalls how the town mourned the death in dreadful silence. She reflects on the transient nature of life. Only the mourning or weeping on death is constant, as the speaker says, “only the rituals are permanent”.

The river has a soul.
In the summer it cuts through the land
like a torrent of grief. Sometimes,
sometimes, I think it holds its breath
seeking a land of fish and stars

After personifying the wind in the first stanza, the poet now personifies the river. She says that like a human, the river has a soul. However, while the soul of a human is transient, the river has an eternal soul. The river cuts through the land like a torrent of grief means that the river makes its way through the land just like grief pierces into the human heart. This again reiterates the ideas of grief and death.
The river has a soul.

It knows, stretching past the town, from the first drop of rain to dry earth and mist on the mountaintops, the river knows the immortality of water. The River’s soul is eternal and immortal because it contains water. This is why the poet says that the river knows the immortality of water. It means that the constant flow of water makes the river live forever.

Also, by saying that “it knows”, the speaker means that the river flows through many areas and experiences different terrains of the plains and the mountains. It also witnesses everything from the first drop of rain to diy earth and mist on the mountaintops. It is as if the river gains wisdom and knowledge by flowing over such a long path. This makes the speaker reiterate that the river knows.

A shrine of happy pictures
marks the days of childhood.
Small towns grow with anxiety for the future
The dead are placed pointing west.
When the soul rises
it will walk into the golden east,
into the house of the sun.

The speaker then assumes a nostalgic tone remembering the happy pictures that mark the days of childhood. As the carefree phase of childhood passes, people become anxious about their futures. The worries of the future overwhelm their present lives.

According to the town’s ritual, the dead ones are placed in the direction pointing west. It is believed that the soul of the dead people rises from their bodies to ascend towards the Sun in the east. The Sun serves as a symbol of hope and afterlife.

In the cool bamboo,
restored in sunlight,
life matters, like this.
In small towns by the river
we all want to walk with the gods.

The poet ends by saying that though the dead ones leave, the life of the people in town is restored to normalcy after the mourning rituals end. After the gloomy picture of death presented in the previous stanzas, the final lines present hope in the thought of an afterlife as the poet concludes, “we all want to walk with the gods”.

The poem presents a contrast between the mortal humans and the immortal Nature. The human beings die but the river and the Sun continue to live. The permanent nature of the river’s flow is in contrast with the transient nature of human life. Death cannot be avoided and is destined to come to all humans. But there is still some hope for the human soul that can walk with the gods after the death.

Small Towns and the River Poem Theme

The theme of the poem “Small Towns and the River” is quiet simple. Through this poem, the poet expresses her idea of life and death. The poet writes, “life and death, life and death,only the rituals are permanent” which expresses the very fact that life follows death and after death, new life begins and this is an endless circle. Human life is non-permanent but the nature and its rituals are ceaseless.

The river, which is also ceaseless, is personified by giving it a soul. The life of the small towns by the river is expressed as dull and monotonous whereas the flow of the river water is pulsating with life. In this poem, we also can witness the mention of a soul’s rebirth.

The closeness and fellowship among the town dwellers is also highlighted in this poem as they share their happiness and grief side by side. They have a bonding among them which is fascinating.

Small Towns and the River Poem Word Meaning

Calmly — In a peaceful, .quiet way and without worry or extreme emotion
Amidst — In the middle of or surrounded by
Howling — Blowing hard and making a lot of noise
Dreadful — causing fear, shock, or suffering
Permanent — Lasting for a long time or forever
Torrent — A sudden large or too large amount, especially one that seems to be uncontrolled
Rituals — A way of doing something in which the same actions are done in the same way every time
Grief … Very great sadness, especially at the death of someone
Soul — The spiritual part of a person that some people believe continues to exist in some form after their body has died, or the part of a person that is not physical and experiences deep feelings and emotions
Seeking — To try to find or get something
Immortality — The quality of being able to Jive or last forever
Shrine — A place for worship that is holy because of a connection with a holy person or object
Anxiety — An uncomfortable feeling of nervousness or worry about something that is happening or might happen in the future
Bamboo — A tall tropical grass with hard, hollow stems
Gorge — A narrow valley between hills or mountains
Tuberose — A Mexican plant with heavily scented white waxy flowers and a tuberous base

Small Towns and the River Poem Critical Appreciation

Mamang Dai’s works are illustrative. She received the Padma Shri award in 2011 from the Government of India. Her one of the famous works “Small towns and the River” is a poem of life and mortality. In this poem, the eternal flow of the river is being contrasted with the limited span of human life.

In this poem, the existence of human life, the eternal truth about death and the concept of the after-life is discussed. The poem opens up by mentioning the life in small towns which is stagnant, irrespective of the season.

The scenario does not change there as the life there is dull and monotonous. The environment there, reminds the poet “of death”. Whenever the news on someone’s death comes, all the people of the town stick together and mourn which shows how close the people are with each other. They share their grief, loss and pain. Life and death comes on goes but “the rituals are permanent.” In this poem, the river is personified by giving it a soul.

Irrespective of seasons, the river flows endlessly. The river, in this poem, acts as a symbol of peace. This poem also talks about the childhood of human life which is a carefree period of innocence. In this period, humans remain free from every tension and troubles.

But when they grow up, everything changes. The grown-ups represent the town and the “dead are placed pointing west.” After death, when the soul rises, “it will walk into the golden east”. There is also a mention of the rebirth of a soul which indicates immortality.

According to the poet, life, though non¬permanent, is beautiful. The cool bamboo gets the warmth of sunlight and “life matters, like this.” As sunlight plays a major role for the growth of plants so is life important to keep the soul thriving. This poem contains rich, visual imageries that describe mainly Mother Nature. These images can be called as visual treat which are very much original and pleasing. This poem has lucid language and simple fervor.

Small Towns and the River Poem Style

In the poem, “Small Towns and the River”, has a lucid style of writing. Metaphorically, this poem talks about the issues of life, death and after-life. The poet has used several images which can be considered as very much original and appealing.

We can also witness an extensive use of personification which is a striking feature of this poem. The river, small towns, the cool bamboo and even the sun is personified in this poem. This poem also shows the consonant sounds like- “Just the other day some died.” (d- sound), “…dreadful silence we wept” (w-sound). This poem is deeply meaningful and carries an inner meaning.

Small Towns and the River Poem MCQs

Choose the correct alternative to complete the following sentences:

Question 1.
Who is the narrator of the poem?
a. The villagers
b. Some other people
c. Mamang Dai
d. None of them
Answer:
c. Mamang Dai

Question 2.
What is the reminder of death according to the poem?
a. Small town
b. Small village
c. The villagers
d. The cemetery
Answer:
a. Small town

Question 3.
According to the poem which place is always the same?
a. The river
b. Poet’s town
c. The city
d. Some other place
Answer:
b. Poet’s town

Question 4.
What is “Tuberose”?
a. A flower
b. A place
c. Some kind of food
d. Some kind of emotion
Answer:
a. A flower

Question 5.
According to the poet what is permanent?
a. The person
b. The body
c. The emotion
d. The rituals
Answer:
d. The rituals

Question 6.
According to the poet, which natural thing has soul in the poem “Small Towns and the River”?
a. The land
b. The river
c. The House
d. None of them
Answer:
b. The river

Question 7.
Who knows the “Stretching past the town”?
a. The tree
b. The people
c. The narrator
d. The river
Answer:
d. The river

Question 8.
What is immortal according to the poet?
a. The river
b. The land
c. The water
d. The tree
Answer:
c. The water

Question 9.
Which thing grows the anxiety?
a. Small town
b. New city
c. The river
d. The people
Answer:
a. Small town

Question 10.
What kind of anxiety the narrator has?
a. About the death
b. For the future
c. For the destiny
d. None of these
Answer:
c. For the destiny

Question 11.
According to the poem in which direction the soul walks “when the soul rises?”
a. Golden west
b. Golden north
c. Golden south
d. Golden east
Answer:
d. Golden east

Question 12.
Who wrote the poem “Small Towns and the River”?
a. Mamang Dai
b. Rabindranath Tagore
c. William Shakespeare
d. Seamus Heaney
Answer:
a. Mamang Dai

Question 13.
In which year the poet received the Padma Shri?
a. 2012
b. 2010
c. 2011
d. 2009
Answer:
c. 2011

Question 14.
In which year the poet received the Sahitya Akademi Award?
a. 2007
b. 2010
c. 2011
d. 2017
Answer:
d. 2017

Question 15.
What kind of a poem is “Small Towns and the River”?
a. Sonnet
b. Allegorical poem
c. Prose type poem
d. None of these
Answer:
b. Allegorical poem

Rhapsody: A Collection of ISC Poems Workbook Answers

Rhapsody Workbook Answers Poem 8 Beethoven

Poem 8 Beethoven

Rhapsody Workbook Answers Poem 8 Beethoven

Beethoven Poem Long Answer Questions

Question 1.
Discuss the impact of Beethoven’s music and how it is described by the poet in reference to the poems.
Answer:
Beethoven was a genius. His music was unique and divine. The music of Beethoven hit the nervous system of the audience, like a fleet moving forward among firing cannon shells. Each and every smallest part of their bodies was hit by his music. His music overwhelmed them fully and they felt a pleasure. They had a sensation of divinity when they heard his music.

Each note of his would leave marks on each part of their body and make them yearn for one more such hit piece of music from him. For the music lovers, Beethoven became an addiction. These are the impact of Beethoven’s music on others. Beethoven’s musical scales were such as to take one to unprecedented heights like the heights of the Towers of Babylon.

The magic of his music was so divine that it could also turn the solar system into cymbals to crash together, causing comets to crash into one another. The sound of it is described so loud as to shake the constellations and make the stars begin to fall down. By hearing his music it seemed as if the whole universe had begun to cry. Thus the poet has used hyperbole to conceive the power and beauty of Beethoven’s music.

Question 2.
Why were the musicians confused about Beethoven? What did they have to admit?
Answer:
We know that Beethoven’s father was a very strict person and was never satisfied with Beethoven’s playing the piano. So as a boy Beethoven was always hit and abused by his father and whenever Beethoven played the piano, his father said it was “not good enough”.

This phrase haunted him and it left an indelible impression on his susceptible mind. So when later in his life, his symphonies were played by the other musicians he was never satisfied like his father and he too acted like his father. Whether the musicians played softly or slowly or loudly, according to him it was not good enough. This behaviour and the attitude of Beethoven irked the musicians.

So they tried to make fun of him by imitating his movements without playing any instrument. Beethoven thought that their notes were perfect as the deaf has an intimacy with silence. The musicians were confused. They did not know whether the man was mad or a genius. They could not decide what to call him and were baffled by the behaviour of Beethoven.

They realized that Beethoven’s musical scales were such as to touch the heights of the famous mythical Towers of Babylon, causing comets to collide, affecting even the heavenly constellations. The divine music of Beethoven was enough to cause confusion among the musicians, who ultimately deduced that the man “must be a genius.”

Beethoven Poem Short Answer Questions

Question 1.
How did Beethoven’s father treat him when he was a child?
Answer:
Beethoven’s father was a very stem and rigid person and he treated his son very harshly when he was a child. He was never satisfied with Beethoven, when he played the piano and if he failed to satisfy his father, he was badly treated and punished. His father beat him for even small mistakes.

Question 2.
What was Beethoven deprived of?
Answer:
Beethoven became deaf in his life and this was the biggest tragedy as auditory sensation is the biggest tool of a musician.

Question 3.
What do some of the parents do with their children in order to see them as geniuses?
Answer:
Some parents are so harsh and strict that they would brook no weaknesses or mistakes in their children. They expect their children to be perfect and want them to be geniuses. When they find their expectations fail and their dreams are shattered, either they beat their children as they lose their temper or in some cases, some parents even out of frustration start to drink.

Question 4.
How did the audience listen to his music?
Answer:
Beethoven’s music seemed to hit the nervous system of the audience, like a fleet moving forward among firing cannon shells. Each note of Beethoven seemed to leave track marks over every inch of their bodies, making them ache for again one more hit music of him. His music was unique and it also left the audiences with divine sensation. His music overpowered them fully and Beethoven became an addiction for the music lovers.

Question 5.
Beethoven was a self-respecting man. How does the poet prove the above line in the poem?
Answer:
Beethoven was an egotist and he was a very self – respecting man.In the poem Shane Koyczan says that Beethoven did not bow down before anyone not even before the king or the queen. This proves that Beethoven was a very egotist person.

Question 6.
Why did the other musicians made fun of him and how?
Answer:
When the other musicians played his symphonies on the orchestra, Beethoven was never satisfied. The musicians played slowly, but according to Beethoven it was not good enough. When they played softly, still it was not good enough, then they played strongly but the same phrase not good enough was repeated by Beethoven. So at last they copied his movements and made fun of him as they thought him to be mad at first. They held their bows above the strings without playing it and then it was perfect to him.

Beethoven Poem Logic Base Questions

Complete the following sentences by providing a REASON for each:

Question 1.
Beethoven was not happy at home because ………….
Answer:
He was physically and mentally abused by his father.

Question 2.
Beethoven’s father would often hit him because ………….
Answer:
He was never satisfied with Beethoven’s music.

Question 3.
Beethoven’s father was never satisfied with his music because ………….
Answer:
For him Beethoven was never perfect in playing piano. Whether he played softly or loudly, his father always found his music to be not good enough.

Question 4.
Beethoven never bowed down before anyone because ………….
Answer:
He was a very self-respecting and an egotist man.

Question 5.
The fingers of Beethoven turned as stiff as “gnarled roots of tree trunks” because ………….
Answer:
When his father being unsatisfied would ask him for more perfection, he would practice more and more until his fingers turned stiff and they ached.

Question 6.
The musicians copied Beethoven’s movements without playing the instrument because………….
Answer:
Beethoven was not satisfied with their playing of the orchestra. When they played his symphonies, Beethoven was not satisfied whether they played loudly or softly or slowly.

Question 7.
The audience who heard Beethoven’s music felt a pleasure of divinity because ………….
Answer:
His music was so enthralling and engrossing that it seemed that every part of their body reacted to it and they who heard it, would be overwhelmed completely.

Question 8.
He did not like the musician’s performance because ………….
Answer:
Everytime he heard them performing, his father’s words only haunted him and he was also unsatisfied and wanted them to perform more perfectly.

Question 9.
The other musicians became confused because ………….
Answer:
They also could not decide by Beethoven’s behaviour, whether he was a mad man or a genius.

Beethoven Poem About the Poet Alfred Lord Tennyson

Shane Koyczan,born 22 may 1976, is a Canadian poet and writer. He grew up in Penticton, British Columbia and received his education at Okanagan College. He is famous for writing about issues like bullying, cancer, death and eating disorders. His anti-bullying poem “To This Day” has over 25 million views on youtube.

He became the first Canadian to win the individual Championship title at the beach “National Poetry Slam.” He was a member of the group Tons Of Fun University. Koyczan has published several books including poetry collection Visiting Hours ‘Stuckboy, a novel in verse’, Our Deathbeds will be Thirsty’ etc. His ‘Visiting Hours’was selected as one of the Best Books of 2005 by the Guardian and Globe and Mail.

His autobiographical novel in verse Stick boy is being adapted for stage by Vancouver Opera. Koyczan performed his poem “ We Are More” at the opening ceremonies for the 2010 Vancouver Olympics. Shane Koyczan has received a BC Civil Liberties Award for the Arts.

Beethoven About the Poem

Ludwig Van Beethoven was a German composer and pianist. He remains one of the most admired composers in the history of Western music. His composed works of classical music include dozens of symphonies, piano sonatas, string quartets, concertos and opera. He composes some of his most enduring works when he was losing his hearing power.

Through the poem “Beethoven” Shane Koyczan brings out Beethoven’s story. The poem “Beethoven” by Shane Koyczan is a descriptive poem that has used vivid imagery to explore the theme of love. Beethoven was unable to find love at home as he was treated badly by his father who perhaps wanted to see him as genius. He suffered from severe physical and emotional abuse.

Despite his best he would never received appreciation for his notes on piano. He remained in isolation as in his struggle to achieve excellence in his field he had no time or inclination to connect with others. So as a result the people began to misunderstand him.He was continuously laughed at and bullied because of his peculiar personality and madness. Musicians also wondered whether he was mad or genius, but they could not deny the fact that his music was something divine. Shane in his poem wants to highlight the story of Beethoven who had an exceptional ability to transform emotions into music.

Beethoven Poem in Summary

The poem “Beethoven” of Shane Koyczan starts with the word ‘Listen’. The poet by this word here means to say that the best way to know the man Beethoven is to listen to his music. He brings Beethoven’s story to life. The poet speaks how Beethoven’s father was a never satisfied man who expected Beethoven to create perfect notes.

So in his desperation to see Beethoven as a genius, he wanted Beethoven to be perfect and was not satisfied with him. Thus the poet says that Beethoven was unable to find love at home, and suffered from severe physical and emotional abuse. Beethoven as a young one had to hear that his music was” Not good enough”. His ears were pounded or bombarded by these words of his father.

Beethoven was a musician who was deprived of his eardrums, a musician’s precious tools. So he was not able to create proper rhythms for the symphonies that played in his mind. He was not even destined to hear the clapping of the audience, the love of the people and the whispering of the women sitting in the front row to hear his music.

But Beethoven was a genius as his music produced a divine sensation to the listeners. Beethoven’s music was a magical music in other words. He was like an addiction for the music lovers. Beethoven was a self-respecting and an egotist man. who didn’t bow before anyone even the King and the Queen.

He cut off the lees of his piano so that he could feel the vibrations of his tunes through the floor. So the man who did not get down on his kna anyone, got down on his knees for his music. He had solve or music.

Whenever the other musicians played his symphonies on the orchestra his father’s words “not good enough” haunted him. He could only hear the repeated words of his father. So he was also not satisfied with their playing, whether they played slowly or strongly.

Lastly they made fun of him by imitating his movements without playing any instruments and this was deemed to be perfect by Beethoven as he could hear nothing. The other musicians were baffled and could not understand whether Beethoven was mad or genius. They realized though, that his musical scales were such as to touch the heights of the famous mythical Towers of Babylon, causing the comets to collide, affecting even the heavenly solar system.

The music of him created such a loud crescendos that even shook the constellation until the stars began to fall from the sky. This heavenly music of Beethoven was enough to create confusion among the other musicians who ultimately inferred that he “must be genius”.

Beethoven was a musician who could change human emotions into music. Each note of his music was such as if love and hate were dancing together in a waltz with perfection and beauty. In order to understand Beethoven, it is not necessary to know his history or read his biography, but just to listen to his music of divinity.

Beethoven Poem Line Wise Explanation

Listen.
His father made a habit out of hitting him.
See, some men drink, some nien yell, some men
hit their children.
This man did it all because I guess all men want
their boys to be geniuses.

In the opening lines of the poem, Shane Koyczan asks us to listen to Beethoven’s music. He asks us to listen to his music as through this, we will be able to enjoy it and understand the greatness of Beethoven’s music in which he was a genius. It is said that Beethoven’s father was accustomed to beat him. This habit of his father was out of a general parental desire where all the parents want to turn their Sons into geniuses.

Many fathers are found to lose their temper and beat their children or some fathers out of frustration begin to drink. All these are results of their expectations and when they fail to come up to their expectations, they behave with their children in this way. Beethoven’s father was also one such man.

Beethoven.
Little boy living in a house where a name meant nothing.
Living in a house where mercy had to be earned throught each
perfect note tumbling
up through the roof to tickle the toes of angels
who’s harps couldn’t hold
half the passion that was held in the hands of a
young boy who was hard of hearing.

The poet then says of Beethoven’s childhood. As a little boy, he lived in an austere household where name meant nothing. It was a house where mercy was shown to him only when he would strike notes perfect as could please the angels, whose harps even could not create such
passionate flotes as Beethoven as a young boy did on his piano.

In a simple way it can be said that Beethoven was expected to create perfect divine notes. in spite of his auditory deprivation.

Beethoven.
Who heard his father’s anthem every time he put
finger to ivory it was not good enough.
So he played slowly.
Not good enough.
So he played softly.
Not good enough.
So he played strongly.
Not good enough.
And when he could play no more and his fingers
cramped up like the gnarled roots
of tree trunks
it was NOT GOOD ENOUGH

Whenever Beethoven played on his piano, his father seemed to be unsatisfied, and would comment by the word “it was not good enough.” Whether Beethoven played softly or loudly. he was told the same thing that it was not good enough and so he was asked to practise more and hard. He practised more and finally got exhausted. His fingers through practice got extremely tired and turned as stiff as ‘gnarled roots of tree trunks,” but still that same words of his father used to bombard in his ears.

The poet has used the word ‘anthem’ to describe the words of his father. This criticism had its bad effect on the vulnerable and susceptible mind of a little boy. So Beethoven craved for love from his father, but instead he received only jarring words accompanied with violent beating at times.

Beethoven.
A musician without his most precious tool: his
eardrums
could no longer pound out rhythms for the
symphonies playing in his mind
He couldn’t hear the audience’s clapping
couldn’t hear the people loving him
couldn’t hear the women in the front row whispering

Beethoven was a musician who was deprived of hearing. We know that the sense of hearing is very important in a musician’s life because it is one of the most essential tools for music. So since he couldn’t hear, he was unable to produce proper rhythms for the symphonies that rang in
his mind. Not only this, he was also not destined to hear the clapping of the audience, the whispering of the women who sat in the front row to listen to his musical pieces.

Beethoven.
As they let the music invade their nervous system
like an Armada
marching through firing canon balls detonating
every molecule
in their body into exploisons of heavenly sensation
Each note leaving track marks over every inch of that body
making them ache for
one
more
hit.
He was an addiction.

Beethoven was a genius and his music seemed to hit the nervous system of the audience like a fleet moving forward among firing cannon shells. His music was so enthralling and engrossing that it seemed as if every smallest part of their body reacted to it and erupted into divine sensation.

They felt a pleasure of divinity as his music would overwhelm them completely. Each note of his would leave marks on each part of their bodies. This made them yearn for one more such hit piece of music from him and they would wait with eagerness. His music became an addiction
for the music lovers.

And kings, Queens, it didn’t matter
The man got down on his knees for no one,
but amputated the legs of his piano
so he could feel the vibrations through the floor
The man got down on his knees for music.

Beethoven was a very prestigious and self-esteemed person. He would not bow down before anyone, not even the kings and the queens. But for his music, he bowed and surrendered. He cut off the legs of his piano so that he could feel the vibrations of tunes, through the floor, because
he knew he couldn’t hear. To him music was everything for which he could also kneel down.

And when the orchestra played his symphonies it
was the echoes
of his father’s anthem repeating itself
like a broken record,
a broken record
It was not good enough
So they played slowly.
Not good enough.
So they played softly.
Not good enough.
So they played strongly
NOT GOOD ENOUGH.

So they tried to mock the man, make fun of the madness by mimicking the movements, holding their bows a quarter of an inch above the strings not making a sound it was perfect.

Beethoven felt lonely and he could not relate his emptiness and hollowness which he felt in his mind, His father’s words “not good enough” always seemed to haunt him everywhere. When the orchestra played his symphonies, he could only hear the words of his father, as if coming from a broken record.

Whether the musicians played slowly or strongly, Beethoven was never satisfied and the same words of his father rang through him. So they tried to mock Beethoven and make fun of his insanity by copying his movements by holding their bows above the strings but not making any sound. This seemed to be perfect, as ironically, he could hear nothing.

You see the deaf have an intimacy with silence.
It’s there in their dreams.
Atad the musicians turn to one another not knowing
what to make of the man trying to calculate the distance
between madness atad genius, realizing that
Beethoven’s mucical measurements
could take you the distances reaching past the
Towers of Babyloti,
turning solar systems into cymbals that crash together,
causing comets to collide, creating crescendos that were so loud
they shook the constellations until the stars began
to fall from the sky
and it looked like the entire universe had begun
to cry,
Distance must be an illusion.
The man MUST be a genius.

The deaf people are accustomed to silence and so silence rules in their dreams also. The other musicians by this attitude and behaviour of Beethoven would become astounded and confused and they could not decide whether he was mad or genius. They only knew how his musical
strain could carry one to exceptional heights like the heights of the Towers of Babylon. Here the height reached by his music is being compared to the height of the Towers of Babylon.

His music possessed so much magical power that it could also turn the solar system into cymbals to crash together, thus causing comets to crash into one another . The sound would be so loud that it even could shake the constellations and thus would make the stars to fall down.
It seemed that the whole universe had begun to cry. The poet has used exaggeration to describe Beethoven’s music.

He has used hyperbole to conceive the power and beauty of Beethoven’s music. It made the musicians think the distance between madness and genius to be an illusion. So they concluded that Beethoven “must be a genius”.

Beethoven.
His thoughts moving at the speed of sound.
Transforming emotion into music.
………………………
And for a moment it was like joy was a tangible thing,
like you could touch it.
Like for the first time we could watch love and hate
dance together in a waltz of such precision and
beauty
that we finally understood that history wasn’t important
To know the man
all we ever had to do was
Listen.

He was Beethoven, the genius, whose thoughts moved at the speed of sound. It was his music which had the power to transform human emotions to music. The pleasure imparted by his music was so tangible that one could touch it or feel it. His note of his music was as if like love and hate, dancing together in a waltz of perfection and beauty. in order to understand him, we need no history of his to be read, but just listen to his divine music.

Beethoven Poem Theme

The theme of the poem “Beethoven” is love and how while in a childhood stage. many children are abused physically and mentally and how this torment leaves an indelible impression in the minds of the children. So when he grows up also, the scar remains, and hurts him throughout his life. He fails to connect with others in the world and thus cannot enjoy life also.

This was what had happened with Beethoven who in spite of being so famous in his career, could never forget his father’s treatment towards him. It also tells us how a genius man and a mad man resemble each other. Like a mad man, a genius man also thinks and lives abnormally. Both of their sayings are incomprehensible to most people and so a genius cannot be accepted by everyone and geniuses do not get recognitions for their works during their life times.

Beethoven Poem Word Meaning

Hitting — beating
Yell — shout
Tumbling — faIling down
Tickle the toes — to excite pleasurably
Harps — kinds of musical instruments
Passion — strong feeling
Cramped up — got tired and ached
Gnarled — twisted
Symphonies — elaborate musical composition
Invade — conquer:attack
Detonating — exploding or causing to explode
Pound out — produce
Addiction — craving or dedication
Armada — a large fleet
Cannon balls — cannon shells
Amputated — severed or separated
Got down on knees — bowed or surrendered
Echoes — reverberation
Mock — ridicule or make fun of
Mimicking — imitating
Intimacy — closeness; togetherness
Cymbals — a musical instrument consisting of two round plates to make sound
Crash — strike
Collide — bump into
Crescendos — the loudest point reached in a gradually increasing sound
Illusion — halucination;delusion
Transforming — changing
Tangible — concrete
Waltz — a kind of dance
Precision — perfection

Beethoven Poem Critical Appreciation

The poem “Beethoven” is being introduced to us with the word ‘Listen’ which prepares the listeners or the readers for the subject matter. Again we see that the poem also concludes with the same word ‘listen.’ The word in its conclusion says that we need no history to know Beethoven, we only need to listen to Beethoven’s music to know him. Because the poem is about the geniusness of Beethoven’s compositions, the word ‘listen’ is very appropriate and provokes the audience to find beauty in the poem.

Then in the first stanza of the poem, the poet uses the word “hit’ and ‘yell’. These are the words that suggest abuse. He chose these words because they give a violent feeling. Then the repetition of the phrase ‘it was not good enough’ can be found in this poem.

This was what Beethoven was probably told when he did not play something correctly. This is the phrase that haunted Beethoven as his father was never satisfied with his music or the way it was played. Through imagery the poet showed more conflicts. An example “when his fingers cramped… trunks”/ He would play so much to the point that his fingers cramped up. It might have been that he did not play the song perfectly.

The poet also uses the name Beethoven a number of times to remind the readers of who is he talking about and “not good enough” each time getting louder and clearer to show the intensity of Beethoven’s father’s expectations.

The poet has used imagery, dictions, metaphors and allusion to show the life of Beethoven and the effect his music had on others. He uses vivid descriptions and visual imagery so that the audience could see, hear and feel what is being said.

For instance, the powerful attack of his music on our senses is compared to the one by an Armada that marches through exploding cannon shells smashing every part of our body. There are also other imagery like Beethoven’s musical measurements. Could take Babylon / turning solar to collide. So in all, we can say that the poem attracts our attention through carefully structured rhythm and repetition of key words.

Beethoven Poem Style

The poem “Beethoven” is a ‘spoken word’ for which it has got a strong sound effect. It is a descriptive poem and does not follow any traditional, regular rhythm scheme and stanzas. The poet here uses enjambment to create suspense and also to emphasize some key words as Living in a house…………

Perfect not tumbling
Up through ………………. harps
Couldn’t hold
Half the passion.

The poet uses repetition of words and phrases like-so he played slowly/not good enough, so he played softly/not good enough etc. Other than repetition there are also uses of alliteration, assonance, onomatopoeia etc. Some of the uses of onomatopoeia are pound out rhythms, cymbals that crash together etc. The alliterations in the poem are ‘causing comets to collide’ (use of k sound), ‘habit of hitting him’ (use of h sound) etc.

Beethoven Poem MCQs

Choose the correct alternative to complete the following sentences:

Question 1.
Beethoven’s father was …………..
a. hopeful
b. strict
c. polite
d. docile
Answer:
b. strict

Question 2.
What was ‘‘not good enough” according to Beethoven’s father?
a. Beethoven’s music
b. Beethoven’s attitude
c. Beethoven’s disobedience
d. none of the above
Answer:
a. Beethoven’s music

Question 3.
What kind of music did Beethoven create?
a. loud
b. slow
c. divine
d. folk
Answer:
c. divine

Question 4.
What was Beethoven deprived of ?
a. seeing
b. hearing
c. tasting
d. smelling
Answer:
b. hearing

Question 5.
Beethoven got down on his knees for …………..
a. king and the queen
b. father
c. music
d. none of the above
Answer:
c. music

Question 6.
Which word describes Beethoven the most …………..
a. foolish
b. clever
c. mad
d. genius
Answer:
d. genius

Question 7.
The musician made fun of him by …………..
a. laughing at him
b. ignoring his remarks
c. calling him mad
d. imitating his movements without playing on the instruments
Answer:
d. imitating his movements without playing on the instruments

Question 8.
The tired fingers of Beethoven through practice are described as …………..
a. gnarled roots
b. gnarled stems
c. gnarled tree trunks
d. none of the above
Answer:
a. gnarled roots

Question 9.
The word ‘ivory’ in the poem means …………..
a. harps
b. piano
c. cymbals
d. orchestra
Answer:
b. piano

Question 10.
What according to the poet is needed to know Beethoven?
a. by reading his biography
b. by listening to the audience
c. by listening to his music
d. by listening to the musicians
Answer:
c. by listening to his music

Rhapsody: A Collection of ISC Poems Workbook Answers

Rhapsody Workbook Answers Poem 7 Tithonus

Poem 7 Tithonus

Rhapsody Workbook Answers Poem 7 Tithonus

Tithonus Poem Long Answer Questions

Question 1.
Who has made Tithonus immortal? What are its consequences and what does he long for?
Answer:
Tithonus was made immortal as a gift from the goddess of Dawn Eos, who was also attracted by his beauty and chose him as her lover. Tithonus being given a gift of immortality lives with Eos, his wife at the quiet limit of the world.

Since he has gained a power of eternal life, he does not die but confronted with old age and its attendant pains he meditates upon death and mortality. He mourns the fact that death cannot release him from his misery. His misery is his old age where he has become weak, wrinkled and crippled.

He has changed from a beautiful handsome man to a decrepit old man who has lost his youth and beauty. He was granted the life of eternity by the goddess of Dawn but he could not escape the ravages of time. The Hours or time has aged him and his youth and beauty faded away and thus he has been marred and left maimed. To him this boon which he was once granted has transferred into a curse.

Whenever he recollects his past, he compares them with his present miserable situation. Whenever he sees the human beings living in the world of which he was once a part, he feels like dying as he realizes that mortality can only put an end to his miserable life where he is existing as an old, crippled and weak man without eternal youth and beauty. So he desires to die so that he can be free from the fetters of immortality. Freedom is in his aspiration and he knows that it cannot be attained without death.

Question 2.
Describe the poem as a dramatic monologue.
Answer:
The poem “Tithonus” is a monologue of a single character . The prince of Troy and the lover of the goddess of dawn,Aurora, is found to speak here of his frustration and desperation even after enjoying the boon of immortality. Tithonus is found to speak of himself, with a part of his address, meant for his beloved Goddess Aurora. Hence we can say that the poem is a monologue.

A dramatic monologue is a poetical piece in the first person. In it, a character -a man or a woman is placed in a dramatic situation and made to give out his or her thought or feeling,under the incitement of that very situation.

The essence of the dramatic monologue lies in the situation in which the only
character is placed and in a tensed situation,speaks out. So we find here in the poem how Tithonus the Greek hero speaks of his existing state of his life. He enjoys eternal life but with infirmities and ailments of his old age, he is being pressed down with helplessness.

He feels exhausted and haunted by the hard truth of an external existence without youth, health or beauty and roams in utter desolation like a “white hair’d shadow”. So we find how he brings out the state of his mind, his sense of profound sorrow and desperation through his monologue. Frustration seeps deep into his heart and much sought old bliss has all turned into a terrible curse to him.

Death and not eternal life, is his choice now. Tennyson’s poem is a monologue as Tithonus speaks out of his acute agony and restlessness and then addresses hu=is lover Eos and asks her to release him from the boon of immortality. We find no speech of Eos in the whole poem. Tithonus is the only character who speaks in an uninterrupted flow. ,

Question 3.
Compare the feelings of Tithonus towards immortality in his youth and in his old age.
Answer:
Death takes man into a world from where he cannot return but immortality has brought Tithonus far away from the world of men, too far to retrace his steps. This poem Tithonus is based on Greek mythology where we find Aurora the goddess of dawn, falling in love with Tithonus for his beauty. Tithonus asked Eos or Aurora for a boon of eternal life but unfortunately he did not ask for eternal youth.

He therefore grows old but does not die while Eos his wife also does not die and does not even grow old and possesses the same beauty or in other words she being a goddess has eternal life as well as eternal youth and beauty. While he was young, he was granted the boon of immortality by Eos his lover. When he received the boon, he thought himself to be the happiest man.

He was once a person “glorious in his beauty”. But since he is aged, weak and crippled now, he lost his youth and beauty. With the passage of time, he has grown old but Eos is externally young and beautiful as she is a goddess and possesses a life of eternity with eternal youth and beauty.

Compared to his wife, he is a completely a mismatch. The youthfulness and the beauty of Eos seem to be incongruous when compared to that of Tithonus. So he now yearns to free him from immortality and grant him his freedom through mortality. He is in a miserable wretched condition due to his old age and compares his present image to that of a ‘white hair’d shadow’ of the past.

Question 4.
Describe how the poet paints a picture of the journey of the goddess of dawn across the sky?
Answer:
The poet paints a beautiful picture of the goddess of dawn when she arrives or appears in the sky. Through the speech of Tithonus the poet describes how the goddess of dawn appears. When she arrives, the night disappears thus her arrival marks the end of the darkness of the night.

Tithonus looks at her beauty and says that as it dawns, the radiating sunbeams, and the red tinge of the sky look like her reddened cheeks. The brightening glare of the sunlight is being compared to the goddess’s brightened eyes.

The eyes dazzle so much that even the stars in the sky seem to disappear. The brightness of her eyes, make even the stars invisible. Tithonus looks at her beauty before which the shining stars get blinded into invisibility.

The white horses that pull her chariot yearn for the yoke, to start pulling her chariot again. As her chariot starts its journey across the sky, the horses seem to shake off the darkness of night from their manes. The whole sky glows with flakes of dazzling light. In other words when the goddess of dawn appears the dark sky changes into radiating sky, the radiance of which can even blind the stars.

Tithonus Poem Short Answer Questions

Question 1.
Who is Tithonus? What has he been granted and by whom and why?
Answer:
Tithonus is the lover of Aurora, the goddess of Dawn. He was a Trojan by birth and the son of the king of Troy, Laomedon. Tithonus was a man so glorious in his beauty that the goddess of Dawn, Aurora fell in love with him and raised him to the status of god by granting him the boon or gift of immortality when she was asked for. Tithonus asked the goddess for his immortality and Aurora granted it to him spontaneously and generously.

Question 2.
Why does Tithonus call the boon of immortality cruel?
Answer:
Tithonus calls the boon of immortality cruel because with the passage of time, he has grown old and his body has perished and he is not as beautiful and handsome as he once used to be. With his growing age his body also reacted and has become weak and shrivelled. So he realizes that a boon of eternal life has no value and is cruel, without a boon of eternal youth.

Question 3.
Where does Tithonus live and with whom and how?
Answer:
Tithonus’s dwelling place is with the goddess of Dawn.He is old and due to his old age he is withering within the arms of his beloved on the Eastern fringes of the sky and feeling sort of a wandering shadow of his past.

Question 4.
What are the images of the natural cycle of life and death in “Tithonus” ?
Answer:
In “Tithonus” Tennyson illustrates the natural cycle of birth and death through the images of the woods decaying, the vapours fading, the swans dying, the clouds, days and seasons passing and human beings working and going to their graves ultimately after their death.

Question 5.
What does the legend of Tithonus say about human nature?
Answer:
The poem of Tithonus tells us that human nature is prone to greed and dissatisfaction with life.What humans have been given with is never enough for them.So they crave and yearn for more without knowing their limitations.So like the hapless Tithonus we strive for superiority.

Question 6.
Give the description of the appearance of dawn on her chariot.
Answer:
In the poem,the poet paints a beautiful picture of Eos through the speech of Tithonus. In the poem,he says that just before sun rises, Tithonus catches signt of the ‘dark world’where he was born mortal and then he witnesses the approaching of the goddess of dawn.

He can see her cheeks which begin to turn red and her eyes grow so bright that they overpower the light of the stars. When Aurora’s chariot starts its journey driven by a team of horses, the twilight in the sky is being converted into glaring flakes of light. So he now says that she grows beautiful with the start of a new morning.

Question 7.
What similarity is mentioned between the grant of immortality to Tithonus and the way wealthy people give money to someone?
Answer:
Tithonus asked a boon of immortality from Eos the goddess of dawn. Aurora or Eos granted this boon to him generously and spontaneously like a rich philanthropist who has so much money that he gives away the money to ones who ask for it without thinking twice.

Question 8.
What is the significance of the title Tithonus?
Answer:
The poem deals with a poignant expression of the inevitability of death and the necessity of accepting it as such. Tithonus who was granted the gift of immortality had to bear the consequences of varying “from the kindly race of men”. Though he succeeded in defying death, his youth and beauty deserted him in his old age. The only way to overcome this, was to ask for his freedom from the life of eternity.

Tithonus Poem Logic Base Questions

Complete the following sentences by providing a REASON for each:

Question 1.
Tithonus calls immortality cruel because…………..
Answer:
He realizes that the immortality with which he has been gifted by the Goddess of Dawn, is a curse to him as he has grown old with the passage of time and his body has become wrinkled, weak and crippled due to old age.

Question 2.
Tithonus withers slowly but does not die because…………..
Answer:
He has been gifted by the boon of immortality by the Goddess of Dawn, Eos.

Question 3.
Eos the goddess of Dawn chose Tithonus as her lover because…………..
Answer:
She was attracted by Tithonus’s glorious beauty.

Question 4.
Tithonus compares the goddess with wealthy men because…………..
Answer:
The Goddess of Dawn had gifted Tithonus with the boon of immortality when she was asked for it by Tithonus and she gave this boon to him thoughtlessly and arrogantly in such a way as wealthy men give money without much thought.

Question 5.
A glimpse of the dark earth was visible to Tithonus from the sky because…………..
Answer:
The clouds were separated from one another by a soft blowing breeze.

Question 6.
The vapours weep their burden to the ground because…………..
Answer:
The air which carries the vapours or mists become heavy and fall on the ground unable to bear their burden or load.

Question 7.
The trees in the wood decay and fall because…………..
Answer:
It is the nature of the living creatures to decay and perish after a particular span of time.

Question 8.
Tithonus felt like God because…………..
Answer:
The goddess of Dawn was attracted by his beauty and chose him to be her lover and married him and Tithonus in the arms of the Goddess felt like god himself.

Question 9.
The goddess did not take back the boon of 1 immortality from Tithonus because…………..
Answer:
The gods and goddesses cannot take back the boon once granted to someone.

Question 10.
Tithonus calls the earthly people happy because…………..
Answer:
They have not been granted with the gift of immortality like Tithonus. So they will face death as they do not have to live lives of eternity with crippled and feeble bodies,like Tithonus.

Tithonus Poem About the Poet Alfred Lord Tennyson

Alfred Lord Tennyson was an English poet, who was the poet Laureate during much of Queen Victoria’s reign. He was born on August 6,1809, in Somerby, Lincolnshire, England. He was awarded the Chancellor’s Gold Medal at Cambridge for one of his first pieces, “Timbuktu” in 1829.

He published his first solo collection of poems “Poems, Chiefly Lyrical,” in 1830. His early poetry, with its medievalism and powerful visual imagery, was a major influence on the Pre-Raphaelite Brotherhood. Tennyson excelled in short lyrics like “Break, Break, Break,” “The Charge of The Light Brigade,” “Tears, Idle Tears” and “Crossing The Bar.”

Much of his verse was based on classical mythological themes, such as Ulysses. He also wrote blank verses including “Idylis of The King,” “Ulysses” and “Tithonus.” Many of his phrases have become commonplace in English Language like “To strive, to seek, to find and not to yield,” “Knowledge comes but wisdom lingers”etc. He died in October 6, 1892.

Tithonus About the Poem

The poem “Tithonus” is written by the Victorian poet Alfred Lord Tennyson,in the year 1833. It was originally written as “Tithon” and was completed in 1859. It first appeared in the Cornhill Magazine in 1860. It is based on the Greek Myth. According to the myth, Tithonus is the son of Laomedon upon whom the beautiful goddess Eos fell in love.

According to the myth, the Goddess granted Tithonus a boon of immortality and forgot to grant him eternal youth. This resulted in turning Tithonus into a helpless, weak, maimed and old person. Finally we find how Tithonus being unable to bear his weak, shrivelled, body due to his old age, requested the Goddess to free him from the boon of immortality and let him die like other human beings.

In the Greek mythology, Tithonus was transformed into a grasshopper but in this poem nothing like this has been produced. The poem concentrates on human limitations and the the problems that occur when natural cycle of existence is tampered with by human beings or by Gods.

Tithonus Poem in Summary

The poem “Tithonus” is based on an ancient Greek myth, where Aurora the goddess of dawn fell in love with Tithonus the son of King Laomedon, the king of Troy, and has gifted him with physical immortality. The first stanza of the poem opens with the speech of Tithonus speaking to his beloved, the goddess Eos (or Aurora).

Eos granted Tithonus physically immortality which is the actual reason for his despair and pain. He speaks of the woods in the forests growing old and their leaves falling to the ground. Man is born on the earth, works here and then faces death and is buried underground. The swan dies after few years. This is the usual and natural way by which every living creatures perish.

But Tithonus is cursed to live forever. Unlike all the other creatures of the world he is unable to die. He is lingering on in “cruel immortality.” While men and animals fade away, and death consumes them from the earth, yet he remains to wander on earth. He grew old, with passage of time and thus he lost his valour and strength.

His dwelling place is with the goddess of dawn in the Eastern region of the sky among the mists, but he is feeling like a wandering shadow as he is old withering in the arms of his beloved. Every morning he is compelled to see and observe Eos’s chariot taking her into the sky where Tithonus once adored her. So Tithonus, wails his gift and recalls his beauty in his youth and regrets for the gift of physical immortality instead of the youthful immortality.

He thinks how he was once a handsome man and how Eos had chosen him as her lover, and how Tithonus himself had asked her for his gift of immortality. He was given this gift as a wealthy man gives his wealth liberally to someone in need. But now the time has snatched his youthful looks and left him old, wrinkled and shrivelled. Thus he now craves and yearns to be free from the trance of love and requests his lover to take back the gift.

He now realizes how in vain, he had longed to be different from all mankind. Tithonus laments however, that the Hours, the goddesses who accompany Aurora were angry because Tithonus was able to resist death, so they took their revenge by battering him until he grew old and withered and was left maimed leading to a miserable painful life.

Now though he cannot die, he remains forever old and he must dwell in the presence of Aurora, who renews herself each morning and is thus young forever. Tithonus compares his present appearance to Eos’s beauty which she still possesses so he appeals to Aurora to take back the gift of immortality while the silver star of Venus rises in the morning. He realizes the ruin in longing to be different and unique from the rest of mankind and in living beyond the normal human lifespan.

Tithonus Poem Line Wise Explanation

The woods decay, the woods decay and fall,
The vapours weep their burthen to the ground,
Man comes and tills the field and lies beneath,
And after many a summer dies the swan.
Me only cruel immortality
Consumes: I wither slowly in thine arms,
Here at the quiet limit of the world,
A white-hair’d shadow roaming like a dream
The ever-lilent spaces of the East,
Far-folded mists, and gleaming halls of morn.

The poem is a dramatic monologue where the speaker is Tithonus. Tithonus was the prince of Troy who was gifted with immortality by the Goddess of Eos who fell in love with Tithonus. Having been maimed and aged beyond recognition by his longevity, Tithonus yearns and longs to be released from his endless life and find peace in death. In a very sorrowful mood, he addresses the Goddesses of Dawn.

He says that the trees perish and drop down on the earth, the drops of water also fall on the ground when the air carrying them becomes heavy with them. Humans are born, they come and work and then finally have to mingle with the dust of the earth, they have worked on. After living for some years, the swans also meet their death. But only for him, immortality has become cmel and he cannot bear it.

Old age is taking away his strength from his body while he is decaying in Eos’s amis. He appears like a shadow with white hairs. The region where he stays and wanders about is the Eastern region of the sky, which is covered with mists. He can see the light and shine of the early morning from a distance only.

These lines give us a very dismal picture of Tithonus’s existence. Through these lines he means to say that all the perishable things of nature are better and happier than him as they follow the natural cycle of birth and death. He realizes the importance of the end of life. Sd what he sees around him in the world, among the living creatures and natural elements ie the gift of mortality is being taken away from him which is actually not a boon but a curse to him.

Alas! for this gray shadow, once a man-
So glorious in his beatuty and thy choice,
Who madest him thy chosen, that he seem’d
To his great heart none other than a God!
I ask’d thee, ‘Give me immortality.’
Then didst thou grant mine asking with a smile,
Like weathy men, who care not how they give.

In these lines, Tithonus is seen lamenting of his once glorious and youthful looks which have now changed into a poor shadow of him. He recalls how he was once handsome, dynamic, vibrant and youthful. His looks were so handsome that Goddess Eos was attracted by it and chose him as her lover which made him the happiest man. He then had asked her to grant him the boon of ‘life of eternity.’ She granted him this, as rich people give money to someone without thinking much, thus indicating that even the Goddess did not think about the consequences of the boon.

She gave the boon without thinking what the consequences would be for the receiver of the gift. So here Tithonus regrets when he thinks that he has received eternal life without eternal youth. The consequence at present is that he has changed into an old man from a passionate young man while his wife is still young.

These lines also indicate the carelessness of Eos while granting Tithonus eternal life.She forgot to grant him eternal youth. Her granting of the boon also suggests that Eos behaved in rather an arrogant manner as her deed is compared to the rich people’s manner of giving money without much thought, when asked for.

But they strong Hours indignant work’d their wills,
And beat me down and marr’d and wasted me,
And tho’ they could not end me, left me maim’d
To dwell in presence of immortal youth,
Immortal age beside immortal youth,
And all I was, in ashes. Can thy love,

The Goddess of Dawn, granted Tithonus eternity but Time has taken its toll and made him weak, withered and old. As a result of the gift of immortality Tithonus does not face death. Instead he is crippled and is now a deformed old man.

He then compares his looks with that of his wife, the Goddess of Dawn, who is still young and possesses the youthful beauty. With the passage of time, his youth has passed away and he is now forced to live with his young and passionate wife, inspite of his old and withered body.

He speaks that this is the natural cycle where a person grows old with the passage of time. On the other hand, Gods enjoy eternal youth and do not become old, which implies that human beings cannot follow the ways of Gods. These lines also suggest how hapless men become before the on slaughts of time.

Thy beauty, make amends, tho’ even now,
Close over us, the silver star, thy guide,
Shines in those tremulous eyes that fill with tears
To hear me? Let me go: take back thy gift:
Why should a man desire in any way
To vary from the kindly race of men
Or pass beyond the goal of ordinance
Where all should pause, as is most meet for all?

In these lines Tithonus asks the Goddess of Dawn, if she can take back the gift of eternity that had been given to him. He wants to ask if she can rectify her error of granting him such a gift. The tears in her eyes make Tithonus realize that she cannot do that. While asking the goddess to take the gift back, Tithonus explains that he has no reason of not accepting the lot of other human beings, which destine them to die. So like other humans, he also wants to die and wither away. Since it is a common fact of all the living creatures, so there should not be an exception in his case.

These lines emphasize that all living creatures are perishable and mortal. If they are born, they have to die since life cycle is made up of birth and death. But if one does not follow the course of nature, one has to suffer. When the person does not follow this pattern of life, it becomes miserable for him. Even the gods seem to be helpless which is proved by the tears in the eyes of the Goddess of Dawn.

A soft air fans the cloud apart; there comes
A glimpse of that dark world where I was born.
Once more the old mysterious glimmer steals
From thy pure brows, and from thy shoulders pure,
And bosom beauting with a heart renew’d.

Tithonus in these lines describes that with the blowing of zephyr, the clouds get separated from one another and through the gap, when the earth can be seen, he remembers it, where he was born. He sees the mild light coming from the beautiful face of the Goddess. He notices the passionate heart of the Goddess beating and her bosom heaving.

He draws a beautiful picture of the dawn. Through the description of the dawn, he brings out the contrast between the youthful beauty of his wife and his own shrivelled and wrinkled looks due to his old age. Through these lines the poet wants to create a contrast between the world of the Goddess of Dawn and the mortal,earthly world to which Tithonus belongs.

The words ‘renewed heart’ is referred to the eternal beauty of the Goddesses. On the other hand Tithonus’s world is full of darkness. It emphasizes the absence of compatibility and the presence of incongruity between Tithonus and the goddess. On one hand the poet here beautifully paints the brightness and charm of early morning and on the other hand draws a picture of Tithonus who lacks the charmness and brightness due to his decrepit situation.

Thy cheek begins to redden thro’ the gloom,
Thy sweet eyes brighten slowly close to mine,
Ere yet they blind the stars, and the wild team
Which love thee, yearning for thy yoke, arise,
And shake the darkness from their loosen’d manes,
And beat the twilight into flakes of fire.
Lo! ever thus thou growest beautiful
In silence, then before thine answer given
Departest, and thy tears are on my cheek.
Why wilt thou ever scare me with thy tears,
And make me tremble lest a saying learnt,
In days far-off, on that dark earth, be true?
‘The Gods themselves cannot recall their gifts.’

These lines give a vivid description of how the goddess of Dawn appears. Tithonus describes her cheeks turning red and her eyes shining bright. As she arrives, the night comes to an end. The darkness of the night slowly leaves and the Dawn arrives with her bright, charming beauty. Tithonus speaks of this beauty of hers as so bright that the shining stars also look pale as compared to it. So the stars become invisible due to the brightness of dawn. The ‘wild team’ or the team of horses drawing her chariot yearn for the yoke, to start pulling her chariot again.

As her chariot starts its journey, the whole sky glimmers with the dazzling flakes of light. The Goddess of Dawn disappears again before answering to Tithonus’s request, to take back the gift of immortality. She goes back silently. Tithonus notices her helplessness and says that he realizes her helplessness is not being able to make him mortal again. So the goddess’s eyes are filled with tears and this tears remind him of the saying that he had heard long ago. It was that gods cannot take back the boon granted to someone.

So here we find, how he gives a clear description of the Goddess of Dawn with cheeks getting red and eyes shining brightly. This shows the poet’s sense of beauty. Again we find that the Goddess is aware of the pain and agony of Tithonus but inspite of it she feels helpless. It points out that even gods are unable to act according to their will. They too have certain limitations like the human beings.

Ay me! ay me! with what another heart
In days far-ff, and with what other eyes
I used to watch-if I be he that watch’d-
The lucid outline forming round thee; saw
The dim curls kindle into sunny rings;
Changed with thy mystic change, and felt my blood
Glow with the glow that slowly crimson’d all
Thy presence and thy portals, while I lay,
Mouth, forehead, eyelids, growing dewy-warm
With kisses balmier than half-opening buds
Of April, and could hear the lips that kiss’d
Whispering I knew not what of wild and sweet,
Like that strange song I heard Apollo sing,
While Ilion like a mist rose into towers.

Tithonus remembers the days when he was the young lover of the beautiful Goddess. He realizes that he is perhaps a completely different person who used to look at the changing colours and shapes of Aurora at dawn. Tithonus could see her curls changing into bright sunny rings. This view used to bring a change in Tithonus also. Her radiance made him feel his blood glow with passion and desire.

He remembers his youth when he would feel his whole body come alive at dawn as Eos kissed him on his eyelids, mouth and forehead. He felt lying in the fragrance of soothing flower beds. At that time he heard her loveful words which he could understand. Eos used to whisper to him “wild and sweet” melodies like the music Apollo’s lyre, which was sung while creating the Towers of Troy. The Towers seemed to rise out of mists. These lines show Tithonus’s depth of suffering and pain. He also regrets and senses the loss resulting from the gifts of immortality that he received from the Goddess of Dawn.

Yet hold me not for ever in thine East:
How can my nature longer mix with thine?
Coldly thy rosy shadows bathe me, cold
Are all thy lights, and cold my wrinkled feet
Upon thy glimmering thresholds, when the steam
Floats up from those dim fields about the homes
Of happy men that have the power to die,
And grassy barrows of the happier dead.
Release me, and restore me to the ground;
Thou seest all things, thou wilt see my grave:
Thou wilt renew thy beauty morn by morn;
I earth in earth forget these empty courts,
And thee returning on thy silver wheels.

In these lines Tithonus asks Aurora not to keep him imprisoned and captivated in the East where she rises anew each morning because his eternal old age contrasts so painfully with his eternal renewal. He says that their natures do not match and it is impossible also to match because she is an immortal Goddess with non perishable beauty whereas Tithonus is a human being whose death is to be inevitable but due to Tithonus’s gift which he received from the goddess, he has become immortal which is against the rule of human being’s life.

So he has become immortal but his beauty and youth are perishable and so now his feet tremble when he finds himself at her threshold. He cringes cold and wrinkled, whereas she rises each morning to warm “happy men who have the power to die” and men who are already dead in their burial mounds. A look at the steam floating from the homes of men who are destined to die tells him that they are happy since they do not have to suffer eternal life without permanent youth. When Tithonus sees all these, he also feels to die and to be buried under the ground.

So Tithonus asks the Goddess to release him and free him from captivity and let him die. By this way, the Goddess will see his grave and will see him lying in his grass-covered grave even after his death. Her beauty and youth are ordained to get renewed for ever.

But Tithonus will not remember her beautiful court as he cannot match her in youth and beauty. If he is set free from immortality, he will die and go to his grave. Aurora is described as being on ‘silver wheels’ because she was the Goddess of Dawn, and was ‘personified’ as the sun rising in the sky.

Tithonus Poem Theme

The poem “Tithonus” by Tennyson is based on a Greek myth in which the prince of Troy marries the goddess of dawn who grants him eternity but forgets to gift him with ever-lasting youth. As a consequence of it we find how Tithonus suffers from old age and infirmities but his wife remains the same and possesses the beauty as she is the Goddess of Dawn. So, he fails to match the youth and passionate feeling of his beloved wife. So the poem focuses and centres around the aftermath of the gift of immortality, granted to Tithonus by Aurora.

The poem contains the lamentation of the hero, as he is cursed with immortality, without the blessing of eternal youth & beauty. His health fails, his body perishes and his beauty also withers with the passage of time. So Tithonus only aspires for freedom from the boon of immortality. Human beings cannot and should not aspire for a life meant for Gods.

They should live like what they are ie humans should be aware of their limitations. So once a human being tries to over reach the limits and follow the ways of god. he has to face terrible consequences. One should be happy as long as one is aware of one’s limits and limitations just like Tithonus who suffered a lot as he accepted immortality.

Tithonus Poem Word Meaning

Decay — decline
Vapours — mist
Burthen — burden
Tills — ploughs
Immortality — eternal life or life of eternity
Consumes — slowly eats up
Release — set free
Feebler — weaker
Indignant — resentful ; discontented
Agonizing — giving mental pain
Envy — jealousy
Thy choice — your selection
Grant — give
Hours — time
Thresholds — buildings
Wills — desires
In ashes — in old age
Make amends — rectify or make correction
Tremendous — trembling
Silver star — the morning star
Ordinance — order
Fans the clouds — separates the clouds with air
Mysterious — strange
Glimpse — a quick look
Glimmer — shine
Wild team — a chariot of Aurora pulled by the team of horses
Mane — hair on the horses neck
Twilight — a soft glowing light from the sky when the sun is below horizon
Growest — grows
Lucid — clear
Crimsoned — turned crimson red
Portals — large entrance to a building Barrows , ancient graveyard

Tithonus Poem Critical Appreciation

The poem “Tithonus” by Alfred Lord Tennyson brings out the despair, agony and pain which the speaker of this poem faces due to the boon of immortality which was gifted to him by the goddess of Dawn, Eos. While granting, she forgets to grant him, eternal youth, and thus he is condemned to aging forever.

The poem is in the form of a dramatic monologue where Tithonus, the hero of the poem lanients about his “eternal life” without eternal beauty. He addresses all the words to the Goddess of Dawn, his wife who is presumably present there in front of him.

This presence of his wife Eos makes the poem a dramatic monologue. The first thing that strikes
the critic is how well the theme suits the tone of reflective melancholy that the poet does so well, using rhythm and other sonic devices to produce the effect of languor, and longing for the eternal beauty of the Goddess.

On the thematic level, we can appreciate the work as we can understand how prolonged life, especially outliving the powers of one’s youth, is equally problematic like premature death. From the character of Tithonus, we can also learn that over-ambition is not good. There are certain limitations, certain rules which human beings must follow.

When humans become over-ambitious and they want to exist like super humans, downfall of them is inescapable. The poem teaches us that human beings should not step into the territory of super humans. So the cycle of nature should not be disrupted as it creates a great trouble if it is done so.

Tithonus Poem Style

The poem “Tithonus”, written b’ Tennyson is in the form of dramatic monologue. It is based on the classical mythological theme. It revolves around the Greek myth of the Trojan prince Tithonus and his lover Eos or Aurora, the Goddess of Dawn. It has no specific rhyme scheme or pattern of meter,meaning that it is written in blank or free verse.

Tithonus is the only speaker expressing his pain and agony to the Goddess of Dawn. The devices used by the poet make the poem beautiful, interesting and artistic. ‘Thy cheek begins to redden thro’ the gloom flakes of fire,’ ‘The dim curls rings’ are the visual images used by the poet to describe Eos. He has used many metaphors and sirniles as well.

‘A white —hair’d shadow’ is a metaphor for old Tithonus who is nothing but a mere shadow of his past. ‘Like that strange song sing/ While towers’, ‘A white-hair’d like a dream’ are examples of similes.there are also uses of alliterations, assonance and personification, in the poem.

Tithonus Poem MCQs

Choose the correct alternative to complete the following sentences:

Question 1.
The poem is written by
a. T.S.Eliot
b. A.L.Tennyson
c. Thomas Hood
d. H.W.Longfellow
Answer:
b. A.L.Tennyson

Question 2.
The speaker in the poem is
a. The Goddess Aurora
b. The Goddess of Sky
c. Tithonus
d. God Apollo
Answer:
c. Tithonus

Question 3.
Tithonus lives in the company of the Goddess of Dawn in …………..
a. The East
b. The West
c. The North
d. The South
Answer:
a. The East

Question 4.
The bird mentioned in the poem is alan ………..
a. eagle
b. sparrow
c. pigeon
d. swan
Answer:
d. swan

Question 5.
Tithonus was chosen by
a. Athena
b. Derneter
c. Eos
d. Ens
Answer:
c. Eos

Question 6.
The immortality and old age seem cruel to the speaker and he wants to ……….
a. live longer
b. live in the company of human beings
c. die and get released from the boon
d. become young again
Answer:
c. die and get released from the boon

Question 7.
The animals mentioned in the poem are ………..
a. lions
b. tigers
c. dogs
d. horses
Answer:
d. horses

Question 8.
A’ white – hair shadow’is an example of ………..
a. simile
b. assonance
c. metaphor
d. alliteration
Answer:
a. simile

Question 9.
Tithonus is unhappy ………….
a. with the Goddess of Dawn
b. with other Gods
c. because he has become immortal but grown old
d. as he has to die like other human beings
Answer:
c. because he has become immortal but grown old

Question 10.
Due to the boon of immortality Tithonus as an old man has to live with his
a. old and withered wife
b. young and beautiful wife
c. youthful passion for beauty
d. a wife cursed to die soon
Answer:
b. young and beautiful wife

Rhapsody: A Collection of ISC Poems Workbook Answers

Rhapsody Workbook Answers Poem 6 Telephone Conversation

Poem 6 Telephone Conversation

Rhapsody Workbook Answers Poem 6 Telephone Conversation

Telephone Conversation Poem Long Answer Questions

Question 1.
How is colour highlighted in the poem and why?
Answer:
The various colours highlighted in the poem illustrates the difference between the two people ie the black man and the white landlady, based on the colour of their skin. The red colour is magnified in the poem to explain the various things like the booth, the pillar-box and double tiered omnibus which symbolize not only the anger of the speaker but also the aristocratic society of London.

The poem also explains the colour of the dark skinned poet who was not fair complexioned like the landlady on the other side of the telephone line. The “gold-coloured” shows the upper class to which the “fair skinned” people are said to belong. Various colours are used in the poem including red, black, gold, milk, chocolate, brunette and blonde. The colours chocolate, brunette, milk, blonde all these are used to highlight the difference between the black Africans and the white aristocrats living in London.

Question 2.
Certain words in the poem are in capital letters -Why?
Answer:
The words in the poem which are in capital letters are : “HOW DARK?”, “ARE YOU LIGHT”, “OR VERY DARK?”, “OR VERY LIGHT?” These words are actually inserted in the poem purposefully to show the racist mentality of the fair-skinned people.

When a landlady talks to a tenant,the only matter of concern for the landlady should be whether her tenant is suitable for staying with respect to his behavior, character, financial position etc but not on his skin colour. The poet has used these capital letters to magnify the fact that it is more important for the landlady to know how dark-skinned her would-be tenant on the other side of the phone is, rather than how erudite or well-behaved he might be.

Question 3.
What does the poet intend to say in the poem? Justify the title of the poem.
Answer:
The poem is actually a satire in which the poet in order to make his point against racism, uses comedy, sarcasm and irony. Through this poem he wants the people to understand that colour is merely a matter of visibility and has nothing to do with a person’s uniqueness and behaviour. Because the poet is dark skinned, he understands how people regard dark-skinned people as inferior and low-status individuals which he wishes to change.

The poet has given his poem a very suitable and relevant title. It refers to a phone conversation between the lady who is white, and the poet who is very dark or black. The poet plainly demonstrate the shallow prejudice by the dialogue. From first to last, these two individuals do not meet but talk over the phone. The telephone represents the distance between two ends of the line and the fact that they cannot meet at a location.

Question 4.
Write a note on the character and behaviour of the speaker in reference to the poem “Telephone Conversation?”
Answer:
The poem “Telephone Conversation” has two characters. Since it is a conversation over phone we find two individuals on the two sides of the line. One is a black African man who is looking for somewhere to rent and needs a room or apartment and the other one is the landlady who is fair complexioned. So in response to an advertisement given by the white lady, he calls the lady to discuss about the rent of the room which he wants.

The conversation between the black man and the white lady takes place over the phone where we find the black man to be in a happy and peaceful mood where he likes the price as it is reasonable. He also has no problem regarding the location of the house which he would take on rent. When the landlady informs him that she stays separately in another address, the man is more happy and is attracted as his privacy will be maintained. So we can say that since all his requirements are fulfilled, he is seen to be happy.

But a little later in the poem, when he confesses to the lady that he is an African, it shows that he is very aware of the racial prejudices prevalent in the society and he is also particular as he does not want a wasted journey. When the landlady questions him by asking how dark black or light black he is, he seems to be shocked as he doesn’t expect such questions from him.

Here we find him to be a little afraid of her reaction as this attitude of the landlady has not been expected from him. We find how in the poem, the black man answers the lady sarcastically and then, we find this transforming into frustration and his answers are very sharp and sarcastic.

As we reach the end of the poem, we find how he tries to convince the lady to come and see him. We can say that the black man’s behaviour is changeable which changes according to the situation. It also says that the man is against the prejudices related to race.

Telephone Conversation Poem Short Answer Questions

Question 1.
What things about the accommodation attract the speaker?
Answer:
Over the telephone, the conversation is taking place between the speaker, who is an African, seeking a room for rent and a white landlady who has advertised for it. The speaker finds the price of the rent suitable for him and regarding location,the speaker is not interested. Moreover, the landlady does not stay in that house which she wants to give it for rent therefore privacy is maintained. All these things attract the speaker and he decides to take it for rent.

Question 2.
What shocks the speaker and why?
Answer:
The speaker is shocked because when he confesses to the lady that he is an African, there is a silence for some time from the other side ie the landlady remains silent for sometime.

Question 3.
What images does the speaker form of the landlady when he hears the voice of the lady after her silence?
Answer:
The landlady becomes silent after she hears that the speaker is an African. The speaker then thinks her silence to be due to her good breeding. Then when he hears her voice he makes a mental image of the landlady’s lips being coated with red lipstick and her hands holding gold-coated cigarette holder.

Question 4.
What does the expression “rancid breath” in the poem mean?
Answer:
“Rancid breath” means a matter which is offensive and disagreeable. Here in the poem the landlady’s voice seems to be rancid ie the voice in which the lady speaks to the black man is under a nasty and insulting breath.

Question 5.
Why do you think the poet has used the ‘red’ colour in this poem?
Answer:
The poet has used red booth,red pillar-box,red double decker bus because first of all he wanted to show his anger and frustration towards the xenophobia of the landlady and secondly the red colour symbolizes the aristocratic society of London.

Question 6.
What is the moral of the poem “Telephone Conversation?”
Answer:
The poet through this poem tries to raise awareness of the fact that skin colour should not matter in an open-minded, educated and modem society.

Question 7.
What does the expression “spectroscopic flight of fancy” mean in the poem?
Answer:
The word spectroscopy means dispersion of visible light into seven colours. Thus the word explains the dispersed flow of thoughts of the lady after talking to the poet. Her fancies of a dark man gained wings and attained new levels of interpretations when she had to admit the fact that she knew lesser than the person on the other side of the line over the phone.

Question 8.
What is the imagery in “Telephone Conversion?”
Answer:
The imagery, “lipstick-coated, gold-rolled cigarette holder piped” is the mental image of the lady made by the African speaker by just listening to her voice. His attitude towards her is that she is socially superior than him and from a higher strata.

Telephone Conversation Poem Logic-Based Questions

Complete the following sentences by providing a REASON for each:

Question 1.
The African caller or the tenant finds the accommodation suitable because …………
Answer:
The price is reasonable and the location of it doesn’t make any difference to him. Moreover, the landlady says that she does not live there which means he would have privacy.

Question 2.
The black man makes a confession to the landlady that he is an African because …………
Answer:
He hates a wasted journey which means that he does not want to waste his time and money on travelling with the result of only being turned away, simply for being black.

Question 3.
The speaker feds ashamed because …………
Answer:
The woman asks him how dark he is and he is so annoyed that he remains silence for some time.This silence of his own seems to be ill-mannered to him, so he is ashamed.

Question 4.
The poet uses irony in his poem “Telephone Conversation” because …………
Answer:
He wanted to show how racist the people in the West are and how they judge others only by the skin colour and not by their mind or abilities.

Question 5.
The speaker says that his bottom is raven black because …………
Answer:
Of the friction caused during his sitting time.

Question 6.
The speaker tells the woman that he is black but his palms and soles are not black but are a peroxide blonde because …………
Answer:
When the speaker replies to the lady’s question saying that he is “West African Sepia”,the woman tries to know more that what’s that and when he answers that he is like brunette, the lady is still not satisfied and asks him whether that is dark and the speaker tells sarcastically that his palms and soles are not black.

Question 7.
The speaker asks the woman to visit him because ………….
Answer:
When he sees that the lady is only interested in the colour of his skin and since the speaker is black he realizes that she will not give him accommodation. And in order to prevent any further queries of the lady regarding his complexion,he asks her to visit him and find herself, how dark he is.

Telephone Conversation Poem About the Poet Wole Soyinka

Wole Soyinka is a Nigerian playwright, novelist, poet and essayist in the English Language. His original name was Akinwande Oluwole Babatunde Soyinka. He was bom on 13th July, 1934 in Nigeria. He wrote several plays among which his first important play was “A Dance of The Forests”. Other plays include “The Lion And The Jewel”, “The Trials of Brother Jero and Jero’s Metamorphosis.”

His serious plays include The Strong Breed, Kongi’s Harvest, The Road, From Zia; With Love, Death and The King’s Horseman. He also wrote several volumes of poetry that include -A Shuttle Of The Crypt, Mandela’s Earth and Other Poems etc. He is well known for his precise command of language and a mastery of lyric, dramatic and meditative poetic forms. Soyinka was the first Black African to be awarded the Nobel Prize for Literature in 1986, he got Benson Medal from Royal Society of Achievement, Golden Plate Award 2009 etc.

Telephone Conversation About the Poem

‘Telephone Conversation” written by Wole Soyinka is a narrative poem that focuses on the conflict between a black man and a white woman through which actually, the poet extends this conflict between the two races in the society. They are having a discussion over the phone and through their conversations we come to know that the landlady is a white woman and the speaker who wants to rent an apartment is a black man. The poem highlights the impact of racial discrimination in the macro structure of society

Telephone Conversation Poem in Summary

“Telephone Conversation” as the title suggests is a conversation over the telephone. The poet talks principally about two strangers speaking over the phone. It is a conversation between a black man seeking a room for rent, and a white lady who has advertised such an offer.

The black African man makes a call to the white landlady and he finds the rent reasonable though the location seems to be indifferent ie not of much importance, yet he accepts. During the course of the dialogue, the man gets to know that his privacy would not be hampered as the landlady does not stay on the premises. Then the moment arrives when the man has made up his mind to consider the offer.

But before he declares his interest in renting the place, he mentions to the lady that he is an African. On hearing this the lady hesitates and becomes silent. This silence of the lady makes the speaker imagine her lips with red lipstick applied to them and the long gold-plated cigarette holder in her hands conveying her aristocratic wealthy status.

The man first takes it to be an impolite gesture of refusal. However the silence is broken as the lady starts to speak again and asks him to explain exactly how dark he is. At first the man thinks that he might have misheard the question, but when she repeats the same question ie how light black or deep black his skin is, he understands that it is something very important for her to know before she allows him to rent her house.

This attitude of the lady comes out to be utterly devastating for the man, and for a moment he is disgusted with the question and fancies himself to be a machine, like the phone, and that he has been reduced to being a button on that very phone.

He can also smell the stench from her words and sees “red” all around him. In confusion he presses button B and then button A as he does not know what to say. He requests the woman to make the thing simple for his understanding as he notices the red colour of the booth and the pillar-box. The woman we find clarifies herself to know what she wants.

She asks again whether his colour is dark black or little less. The man asks her whether she means his colour is plain black or little black chocolate and then he says that he is a red brown African as mentioned in his passport. The woman remains silent again and then says to him that she cannot understand his exact colour. The speaker says that his complexion is like brunette. The woman asserts that his colour is nothing but black only.

The man says that he is not completely black because his palms and soles are white. He also explains
that his bottom is like the colour of a raven which has happened due to the result of the friction resulting from his foolish sitting. He is also aware that on hearing about his black complexion, the landlady will never be convinced and he also senses that she might end the call at any time.

At this crucial point, he makes a desperate attempt pleading her to come and meet him in person and take a good look at him and then take a decision but before that the landlady slams down the receiver on his face.

Telephone Conversation Poem Line Wise Explanation

The price seemed reasonable, location
Indifferent. The landlady sware she lived Off premises.
Nothing remained But self-confession. “Madam,” I warned,
“I hate a wasted journey-I am African.”
Silence. Silenced transmission of
Pressurized good-breeding. Voice, when it came,
Lipstick coated, long gold-rolled
Cigarette-holder pipped. Caught I was, foully.

The poem begins with the speaker talking on the phone with a potential lady, hoping to rent some sort of housing- likely an apartment or a room. The accommodation seems fine: it’s not costly, the location isn’t bad and moreover the landlady doesn’t even live on the premises which means more privacy. But there’s only one obstacle for the lady and that is the speaker is an African.

So in the conversation over the phone between the African man and the white landlady, the black man as he is a self respecting man plainly admits to the lady that he is an African. He knows that he is living in a racially conscious society where colour prejudice is rampant. The speaker refers to this moment as a “self confession,” with his blackness being something that the landlady must be warned about.

He preempts the prejudice and saves a wasted journey by confessing that he is an African. If he doesn’t tell her that he is black before he comes to view the property and if she sees that he is a black man she won’t rent the property to him because of racial prejudice.

Then he would have wasted a journey. The woman on the other hand, goes silent as if to convey that she belongs to an affluent aristocratic family. The black man from the opposite side can imagine the woman with red coated lipstick on her lips and cigarette holder in the her hand.

He is caught in a humiliating situation. The opening line takes the reader straight into an already existent conversation, the thoughts of a person engaged in some sort of negotiation over price. But here we find them talking about the price reasonable.

Then we find how the landlady swore that is, she told the absolute truth as if in the name of God that she “lived off premises” which shows that she must have lived in some other address. Then it indicates, the speaker’s doubt that he may be denied the houseon rent just because he is black. It also shows the speaker being aware of the discriminatory attitude of the white people towards the African blacks.

“HOW DARK?” … I had not misheard… “ARE YOU LIGHT
OR VERY DARK?” Button B. Button A. Stench
Of rancid breath of public hide-and-speak.
Red booth. Red pillar-box. Red double-tiered
Omnibus squelching tar. It was real! Shamed
By ill-mannered silence, surrender
Pushed dumbfounded to beg simplification.
Considerate she was, varying the emphasis-

Then we find, the speaker telling that he has heard correctly, what the lady asks him. The lady asks him and wants to know how dark black or light black he is. This question arises a temporary shock to him and in a confusion he presses button B and then button A. Here the poet tries to say that his race is reduced to status of machine. He realizes that the question of the lady is like a bad smell.

To him it seems as if he hears the ugliness of her voice/the prejudice against his race over the phone while standing in the public booth. As it is a conversation it implies that the question of colour is not new; it is already there and one can realize its dirty nature. The speaker then notices the red colour of the telephone booth, the pillar box.

The repeated use of the colour “red” is significant here. It could refer to anger or embarrassment. The colour red can show how shock changes to disbelief that transforms itself quickly into sheer disgust and utter indignation. “The Red booth. Red pillar box, Red double tiered / Omnibus squelching tar”-can suggest an allusion to the colour of the British Empire.

The “red double tiered omnibus squelching tar” actually means that the red omnibus pressed with crushing force a huge amount of tar, but through this expression, the poet tries to describe the colour or complexion of the speaker that is black like tar and thus being pressed by the red omnibus that symbolizes the aristocratic life of England.

Then the speaker says that he is really in such a situation which makes him feel that his own silence is ill-mannered. He is choked and shouts that he cannot understand what exactly the woman wants to know. So he asks the lady to explain her question in a more simple way.

He realizes that the woman is shifting her focus. It makes him think that she is a considerable woman who does not wish to hurt his thoughts and feelings. So the colour red, we find expresses the modernity and aristocracy of the British society which suffers from prejudices of the black colour through the discrimination of it in the society.

“ARE YOU DARK? OR VERY LIGHT”
Revelation came.
“You mean-like plain or milk chocolate?”
Her assent was clinical, crushing in its light
Impersonality. Rapidly, wavelength adjusted,
I chose. “West African sepia”-and as an afterthought,
“Down in my passport.” Silence for spectroscopic
Flight of fancy, till truthfulness clanged her accent
Hard on the mouthpiece. “WHAT’S THAT” conceded,
“DON’T KNOW WHAT THAT IS” “Like brunette.”

We see here how the landlady keeps on enquiring about the man and asks him the same question. She wants to know the same thing ie whether the colour of his skin is dark black or it is light black. While the black man says that he is not completely black, the landlady willingly calls him; brunette.

Here we find the tone to be clinical and impersonal. The speaker says how the landlady’s accent was cold and emotionless. The speaker alters the tone and; nature of the woman’s concern and selects the words “West  African Sepia,” to answer her question about his colour.

The question is soul shattering to the speaker. Fuming with anger, he chooses a superior vocabulary and replies  in a sarcastic tone. He tells the woman that this colour of his skin is already mentioned in his passport. At this moment we find no answer from the lady.

It seems as if she thinks  of all the colours of a spectrum in which no distinction is made to show which colour is inferior or superior. She remains silent until her real concern compels her to admit that she does not understand what colour the speaker is referring to. The speaker tries to tell her by saying that his colour is like brunette or brown.

“THAT’S DARK, ISN’T IT?” “Not altogether.
Facially, I am brunette, but madam, you should see
The rest of me. Palm of my hand, soles of my feet
Are a peroxide blonde. Friction, caused- Foolishly, madam-by sitting down, has turned ;
My bottom raven black-One moment madam!”- sensing
Her receiver rearing on the thunderclap
About my ears- “Madam,” I pleaded, “wouldn’t
you rather
See for yourself?”

The woman on the phone emphasizes that the colour of the speaker’s skin is black. To this remark, the man sarcastically comments that he is not totally black. The caller explains that his face is black but that the other parts of his hand ie palms and soles of his feet are lighter-peroxide blonde! Peroxide is a chemical used to bleach hair. Unabashed he goes further, much further.

He ironically admits that sitting down has caused his bottom to turn raven black due to friction. This comment of the speaker has a direct affect on the landlady, and he senses her unease. The quasi politeness of his tone can hardly conceive the ultimate insult inflicted on the lady and shows how indignant the man is.

He wants to say more but he also knows that the landlady will never be convinced with his black complexion and he senses that she might clang the receiver down. So he makes a desperate attempt to plead her to come in person and take a good look at him.

So we find that the end of the poem is full of irony and sarcasm. In a nutshell, the speaker has turned the tables on racist bias and with a combination of humour, moral stance and arguably charm he has shown up the landlady for what she is ie through his powerful criticism he is able to slow the landlady’s racist and discriminatory attitude.

Telephone Conversation Poem Theme

In the poem “Telephone Conversation,” the poet Wole Soyinka exposes the prevalence of racial discrimination in the society. The poem rests upon the conflict between the protagonist and the absurdity of racism that makes the antagonist take a negative stance towards him.

The poem deals with the conversation over the phone between a black African man who tries to confirm a housing arrangement and the landlady who is white in colour and believes in racism and ethnocentricism.

The poet brings to light how racial discrimination is practiced covertly by many white people regardless of the stringent laws against it.The landlady refuses to rent her apartment to the man just due to one reason and ie his complexion being black.

At the end this attitude of the woman evokes satirical response from the black man when he asks her to come and see the colour of his skin herself. The poem is thus a satire on social xenophobia.

Telephone Conversation Poem Word Meaning

Reasonable — appropriate
Indifferent — uninterested or stoic
Transmission — the act of sending or passing information or something else.
Breeding — upbringing
Stench — ill-smelling
Racial — race-related
Rancid —  pungent;stinking;musty
Squelching —  curbing;stamping down
Dumbfounded — astounded;greatly astonished
Simplificatión — reduction;lightening
Assent — consent;willingness
Clinical — emotionless;impersonal
Revelation — disclosure;declaration
Considerate — careful not to harm or cause inconvenience
Conceding — accepting
Spectroscopic — related to the formation of spectrum of light
Brunette — a person with dark brown hair or colour
Blonde — a person with yellow hair
Rearing — upbringing
Thunderclap — striking suddenly like a clap of thunder
Pleaded — requested

Telephone Conversation Poem Critical Appreciation

The poem “Telephone Conversation” by Wole Soyinka is a scathing comment on the prevailing issues of racism and racist prejudices. As the very title of the poem indicates, it is about a conversation going on over the telephone between a black speaker who is seeking a room for rent and a white lady who has given an advertisement for such an offer.

This poem is a satire that exposes the presence of racial discrimination at the individual level in the society. The poem becomes significant as it presents both the attitude of the white woman towards the black man and the black man’s anger towards the discrimination shown by the white woman.

So we find how the man, being aware of such prevailing racial practices, makes a telephone call to the landlady from the public telephone booth. The poet through the usage of colours like black and white exposes the impact of the prevailing racial discrimination and hatred in the society at large. The poem is an ironical comment on the racial prejudice that still exists in the Western World.

Even among those who are considered educated and respectable, the colour of the skin seems to be greater significance than the individual himself. The speaker over the phone thinks the rent reasonable and the location does not matter.

So he is prepared to rent the room but before proceeding he feels it would be better to let the landlady know that he is black and from Africa. The moment the landlady comes to know about his complexion there issilence. When her voice finally is heard, the poet imagines her to be “lipstick coated, long gold -rolled, cigarette I holder piped.”

The landlady enquires how dark is he and he has not misheard as the lady again repeats by asking whether he is light or very dark.The speaker is dumb founded and expects her to reject him but her question leaves him speechless. She goes on repeating the same question and when she is given an answer that he is black, she is not satisfied with it and further asks what does he mean-whether he is plain black or milk chocolate.

The speaker chooses the description of himself on the passport and tells her “West African Sepia” and also adds “Down in my passport” as an afterthought Still the lady is unsatisfied and asks what that means. This time he tells her that his face is brunette but his palms and soles are a “peroxide blonde.” He further says that his bottom is as black as raven which has happened due to friction.

The landlady hearing this disconnects the phone before the speaker asks her in a pleading tone, to meet him in person and see him. We see in the poem, how the man at first remains polite and humble. But when he realizes the derogatory attitude of the lady towards the black, he gets annoyed and embarrassed and starts responding in an ironical and sarcastic way.

The poem reveals the pathetic and shameful nature of those who are foolish enough to judge people by their skin colour rather than by their character. The irony, humour and sarcasm are very subtle. The innocence and cultured tone of the man, Who is supposed to be a savage, is effectively pitched against the rudeness and prejudice of the landlady, who is supposed to be cultured and sophisticated. The poet, therefore, highlights the hypocritical nature of these people in the poem.

Telephone Conversation Poem Style

The poem “Telephone Conversation” of Wole Soyinka is a lyric poem that is written in free verse. It is a dialogue involving between two people who are indulged in a phone call throughout the poem. To a considerable extent, it follows the form of conversation in question and answer pattern.

It is written in a single, 35-line stanza with no particular meter or rhyme scheme. The poem feels conversational rather than tightly controlled but it is in a simple and easy to understand manner. It also marks the use of enjambment as there are sentences running from one line to the next, as for eg:”

Silenced transmission of prescribed good-breeding,” and “Stench of rancid breath or public hide and speak.” The poet has also used various poetic devices. Other than satire, irony and sarcasm he also used imagery, pun, alliteration and assonance.

The poet uses alliteration like “silence, silenced,” compound words like pillar-box, lipstick-coated, double-tiered which are important features of this poem. The mention of the colours like red, white, black, brunette, dark chocolate also play a vital role in conveying extended meanings.

Telephone Conversation Poem MCQs

Choose the correct alternative to complete the following sentences:

Question 1.
The speaker in the poem finds the price of the rent …………..
a. too high
b. too little
c. beyond his reach
d. reasonable
Answer:
d. reasonable

Question 2.
The speaker imagines the lady to be with …………..
a. lipstick coated
b. cigarette-holder piped
c. white-haired
d. a and b both
Answer:
d. a and b both

Question 3.
The landlady lives …………..
a. in the house to be rented
b. near the public booth
c. away from the place she wants to give on rent
d. in the speaker’s neighbourhood
Answer:
c. away from the place she wants to give on rent

Question 4.
Which button does the speaker press first in nervousness
a. button B
b. button A
c. button C
d. none of the above
Answer:
a. button B

Question 5.
The compound words used in the first stanza of the poem are …………..
a. location indifferent
b. silenced transmission
c. off premises
d. good-breeding
Answer:
d. good-breeding

Question 6.
How many times does the word “red” used in the second stanza …………..
a. two
b. one
c. three
d. four
Answer:
c. three

Question 7
The speaker feels ashamed by …………..
a. the woman’s ill-mannered silence
b. his own colour
c. his own ill-mannered silence
d. the question asked to him
Answer:
c. his own ill-mannered silence

Question 8.
The black colour of the speaker’s bottom is described as black as …………..
a. tar
b. crow
c. raven
d. coal
Answer:
c. raven

Question 9.
In the passport of the speaker his colour is mentioned as …………..
a. brown
b. red
c. white
d. West African Sepia
Answer:
d. West African Sepia

Question 10.
The confession that, the speaker makes in the first stanza is that …………..
a. he is a white man
b. He is an African
c. He is an intelligent man
d. He does not need a room on rent
Answer:
b. He is an African

Rhapsody: A Collection of ISC Poems Workbook Answers